Peer Gynt
1974 · Music
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Fröken Julie
1959 · ★ 7
A well-composed psychological dance drama of a completely different kind from the usual romantic and sometimes superficial ballets. And an intrusive interpretation of August Strindberg's play.
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Madredeus Ballet - Mar
2006
A choreography of Benvindo Fonseca to 19 songs performed live by the music group Madredeus and the dance group Madredeus of Contemporary Ballet of Lisbon. Filmed in Lisbon, at the 'Centro Cultural de Belém', in 29th of June 2006. Madredeus musical group is from Portugal but do not sing fado. His music combines influences of Fado and Portuguese folk music with classical music and popular contemporary music, especially Brazilian popular music (especially bossa nova). The founding members of the group were: Pedro Ayres Magalhães (guitar), Rodrigo Leão (keyboards), Francisco Ribeiro (cello), Gabriel Gomes (accordion) and Teresa Salgueiro (voice).
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Giselle: Belle of the Ballet
2017
Tamara Rojo, dancer and artistic director of English National Ballet, explores Giselle - the first great Romantic ballet, and a defining role for any ballerina. Through two radically contrasting 2016 productions - a traditional 19th-century recreation, and a gritty reimagining of the work by celebrated Anglo-Bangladeshi choreographer Akram Khan - Rojo examines the cultural and social background to the ballet’s genesis in 1840s Paris, and the spiritual themes that have fuelled its success over the last 175 years. Giselle is the story of a young peasant girl who personifies all that is good in life, and ultimately forgives the aristocrat who has seduced and betrayed her. With Giselle, the look and emotional heart of ballet was transformed forever, from mime-based storytelling to a fusion of emotion, music and movement, formulating a tradition that has inspired audiences, dancers and choreographers ever since.
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Godspell
1973 · ★ 6.6
In modern-day New York City, John the Baptist calls out to a group of young men and women to learn from the teachings of Jesus. Through song and dance, they relive Christ's crucifixion.
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New Faces
1954 · ★ 5.9
New Faces was a musical revue with songs and comedy skits tied together by a quirky plot. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Carol Lawrence, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick. The film was basically a reproduction of the stage revue with a thin plot added. The plot involved a producer and performer (Ronny Graham) in financial trouble and is trying to stave off an angry creditor long enough to open his show. A wealthy Texan offers to help out, on the condition that his daughter be in the show.
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The Tales of Hoffmann
1951 · ★ 7.1
A melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer.
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Maskeradbalen
1965 · ★ 9
Göran Gentele's production of Verdi's Un ballo in maschera premiered on television on New Year's Day 1965. Gentele's version is an adaptation in which some of the roles have changed names and locations. The opera is sung in Swedish, and the translation was done by Erik Lindegren.
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When the Fern Blooms
2017
Part folklore, part opera-ballet, this féerie presents local pagan traditions on the day of the summer solstice and historical events from Cossack times to the more recent 2014 Ukrainian Revolution of Dignity.
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The Rite of Spring
2019
Characters from Haitian folklore come to life telling their story of ritual, ceremony and celebration. All wait to be overcome by the female spirit Erzuli. Who will be chosen?
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Romeo and Juliet
2021
Two young lovers, offspring of the feuding Montague and Capulet families, value feelings above the past, pitting love and forgiveness against hatred and revenge.
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The Muscovite-Sorcerer
1995 · ★ 5.5
Tatyana’s husband left for the business trip. And right away the local ladies’ men begin to put the moves towards a young woman. At first she fights back, but under the pressure of good words and love-making she is ready to put up hands. But the husband’s returning makes allowances in the plans of all characters. Based on Ivan Kotliarevsky` vaudeville The Muscovite-Sorcerer, that, together with operetta Natalka Poltavka (Natalka from Poltava), was landmarks in the development of Ukrainian theater.
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