About Face
โ 6.6 ยท 1942 ยท 43m ยท Comedy
Two Army sergeants disrupt a bar, a party and an Army-Navy dance.
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A henpecked husband's innocent friendship with a married woman leads to chaos.
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1950 ยท โ 5.8
During World War II, a junior American Army officer, Lt. Peter Stirling, gets sent to the psychiatric ward whenever he insists that an Army mule named Francis speaks to him.
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Fighting Friends
1929 ยท โ 5.8
Two friends accidentally run into a young, homeless woman, so they take her in.
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Friends at Arms
1958 ยท โ 4.7
Every year, thousands of young men are summoned to undergo an education where completely different demands are made than in civilian life. The soldiers must be in perfect physical form and they must learn to deal with modern weapons.
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The Cow Who Wanted To Be a Hamburger
2010 ยท โ 5.4
A children's fable about the power of advertising, the meaning of life and ultimately the test of a mother's love. Preserved by the Academy Film Archive in 2016.
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Carry On Sergeant
1958 ยท โ 6.4
Sergeant Grimshawe wants to retire in the flush of success by winning the Star Squad prize with his very last platoon of newly called-up National Servicemen. But a motley bunch they turn out to be, and it's up to Grimshawe to put the no-hopers through their paces.
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The Rebel
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Blake and Justin have always shared the same dream, making movies. Their mentor is Robert Rodriquez and their film school is his book "Rebel Without A Crew". They worship the film making philosophies of Robert Rodriquez, one of them being, "you have to make 30 bad films before you make a good one". On their 29th film they manage to lock an extra in the trunk and forget about him for five days.
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2002 ยท โ 5.2
A desperate, but not very bright, young man tries to find where he parked his car in a massive underground parking garage in Cannes, France when his pregnant girlfriend goes into labor.
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The Business Trip
2008 ยท โ 5.3
A business man in his 30s, with an expense account, checks into a hotel, exchanging smiles and pleasantries with the desk clerk, a woman of beauty and style. Once in his room, he listens again to a voice message on his cell phone: his lover tells him she is breaking up with him; he is not spontaneous; she has found someone else; don't call. He throws his phone down. When he reaches beneath the bed to retrieve it, he finds a Polaroid photograph of a partially nude woman posed provocatively; it includes a phone number and a sexual question. He opens a beer and stares at the photo. If he calls, what then?
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