Yuxweluptun: Man of Masks
1998 · 21m · Documentary
This short documentary serves as a portrait of Lawrence Paul Yuxweluptun, one of Canada's most important painters. We meet him at the Bisley Rifle Range in Surrey, England, where he's literally shooting the Indian Act in a performance piece called "An Indian Shooting the Indian Act." It's in protest of the ongoing effects of the Act's legislation on Indigenous people. We then follow him back to Canada, for interviews with the artist and a closer look at his work.
More Like This
Re:collections
2021
Following a four-month visit to Taiwan during the pandemic, New York-based artist Yo-Yo Lin shares a first-person account of returning to a place of medical and familial trauma. Moving through the artist’s intimate thoughts, Re:collections melds together new media performance, documentary, Chinese medicine, and Taoist cosmology to question how identity and language are conceived in the context of disability and immigration.
More info →
Daughters of the Forest
2026 · ★ 10
Deep in Mexico’s mushroom-rich forests, two women from indigenous communities have become mycologists. This immersive sci-fi documentary follows their unusual, fungi-driven paths as they seek to reconcile the past and present while reimagining the future for themselves and the changing world they inhabit.
More info →Art That Moves: The Work of Len Lye
2009
Len Lye (1901-1980) was a pioneer of experimental animation, and also of kinetic sculpture. This short film dramatically presents 18 minutes inside the head of the artist as a teenager. The opening scenes are set in New Zealand in the year 1917, on the day when Lye (setting out on his bicycle to deliver newspapers) makes his excited discovery that motion can be the basis for a radically new approach to art.
More info →
Meat Joy
1964 · ★ 6.7
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
More info →
Nicolas Maury, ceux qui l'aiment prendront le train
2024
Between the nostalgia of resurfacing roots and the desire to venture into song to experience a rebirth, Nicolas Maury reveals himself unguarded before Didier Varrod, with a deeply moving sincerity. Nicolas Maury released his first album, La porcelaine de Limoges, in January 2023—a new experience for this unique, demanding, and multifaceted actor. It is an opportunity to paint an intimate portrait of him through an extended interview on a train between Paris and Limoges. In this specific setting, which was also that of his first (silent) film role with Patrice Chéreau in Those Who Love Me Can Take the Train, Nicolas discovers archives and hears from close acquaintances who speak about him. A documentary film, like a kind of initiation rite, it moves back and forth between memories of France and childhood, and his condition as a man and artist today, taking on a new identity through music.
More info →
The Lure and the Lore
1988 · ★ 9
A collaboration between filmmaker Ayoka Chenzira and performance artist Thomas Pinnock, who performs his "immigrant folktales" using traditional lore of his native Jamaica to dramatize his migration to New York in the 60's.
More info →
From Spikes to Spindles
1976
This raw, gutsy portrait of New York's Chinatown captures the early days of an emerging consciousness in the community. We see a Chinatown rarely depicted, a vibrant community whose young and old join forces to protest police brutality and hostile real estate developers. With bold strokes, it paints an overview of the community and its history, from the early laborers driving spikes into the transcontinental railroad to the garment workers of today.
More info →
Cidadão Jatobá
1987
Two Lawalapiti young men from Alto Xingu learn to build a canoe from the bark of the jatobá tree, a quick and simple technique that leaves the tree still rooted and alive, and that has ceased to be used and is only known by the oldest Lawalapiti men.
More info →
Tous Les Jours
2019
In rocky Newfoundland, renowned French artist Jean Claude Roy gathers his paints and sets off to face the day. Whether it be freezing snow, violent wind, or pouring rain, he commits vibrant colors to canvas and conquers the day by weaving crooked beauty out of difficulties.
More info →
Our Dear Sisters
1975
Alanis Obomsawin, a North American Indian who earns her living by singing and making films, is the mother of an adopted child. She talks about her life, her people, and her responsibilities as a single parent. Her observations shake some of our cultural assumptions.
More info →
Ketwajê
2023
The Mentuwajê Guardians of Culture (a group of young Krahô filmmakers) invite the Beture Collective (Mebêngôkre-Kayapó) to visit their village and attend the Kêtwajê festival – an important initiation ritual that has not taken place for ten years. Over the course of several days, children and adolescents undergo various “tests” to transform into adult warriors, under the watchful and shared gaze of the local filmmakers and the Mebêngôkre-Kayapó guests.
More info →