
Trespassing or Close Encounters of the 3rd World
2023 · Documentary
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FINDING THE MONEY follows economist Stephanie Kelton on a journey through Modern Money Theory or “MMT”. Kelton provocatively asserts the National Debt Clock that ticks ominously upwards in New York City is not actually a debt for us taxpayers at all, nor a burden for our grandchildren to pay back. Instead, Kelton describes the national debt as simply a historical record of the number of dollars created by the US federal government currently being held in pockets, as assets, by the rest of us. MMT bursts into the media with journalists asking, “Have we been thinking about how the government spends money, all wrong?” But top economists from across the political spectrum condemn the theory as “voodoo economics”, “crazy” and “a crackpot theory”. FINDING THE MONEY traces the conflict all the way back to the story we tell about money, injecting new hope and empowering countries around the world to tackle the biggest challenges of the 21st century: from climate change to inequality.
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2015
Adam Pearson - who has neurofibromatosis type 1 - is on a mission to explore disability hate crime: to find out why it goes under-reported, under-recorded and under people's radar.
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An audio-visual experience through the perspective of an iPhone depicting a harmonious city during the day quickly descend into technological madness as night falls.
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The Balcony Movie
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Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.
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Taken in 1896 on the Boulevard (upper Broadway) on the occasion of a bicycle parade in the heyday of the wheeling craze. Old-fashioned horse cars lend interest to the scene.
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Istanbul: Chronopolis
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Istanbul: Chronopolis is an experimental documentary that explores the city as a living organism where the linear flow of time is disrupted and the past and future coexist. Structured around a thematic cycle of birth, speed, and decay, the film uses rhythmic visuals and archival footage to bridge temporal gaps. Through a fourteen-minute mathematical edit, it replaces linguistic narrative with the evocative language of time-lapse and slow-motion cinematography. The project invites the audience to transcend chronological time and experience Istanbul as an eternal moment—an entity existing solely within its own timeless cycle.
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In the midst of a profound social conflict, the director, a blind activist based in Canada, returns to her native Chile to follow five activists who embark on a transformative process to dignify their lives.
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