Les Femmes savantes
1966
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On the occasion of the fiftieth edition of the French Theater Festival in Israel, Francis Huster takes to the stage in Tel Aviv to perform the play "Molière, le magnifique." This is an opportunity for him to introduce Molière's language to novices and to showcase his work, which still touches and speaks to us today. Recorded for Olympia TV (Canal+ Group) during the 5th edition of the Horizons Festival at the Beit Lessin Theater in Tel Aviv on October 26, 2022, in Israel.
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Marquise
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In a theatre dressing room, a young woman talks to her lover, a successful actor
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Subversive hero or vile predator? Don Juan has appeared throughout history in many guises. Macha Makeïeff highlights the psychological and societal aspects of the character: desire, domination, and human darkness, which she contrasts with liberating and destructive laughter.
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A return to its roots for Castor et Pollux, Jean-Philippe Rameau’s lyric tragedy first performed in 1737 at the Académie royale and inspired by the mythological episode of the Gemini. Rarely performed in its original version – the score was reworked by Rameau himself in 1754 –, this daring work plays on contrasts and expressiveness, as in the famous “Tristes apprêts”. The aria is sung by Télaïre mourning the death of her fiancé Castor, killed in battle, before his twin brother Pollux descends into the Underworld to ask his father, Jupiter, to bring him back to life. While this opera celebrates brotherly love, its prologue poses an essential question for director Peter Sellars: how do you stop a war and its attendant hatred and resentment?
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The fortunes of a small theatrical company based in the Paris suburbs.
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