Interno

The Conversation

1987

Stop-motion experimental short where two men communicate with one another, talk on the telephone, smoke cigarettes, and contort themselves. Produced 1987 and released in 1988 on the VHS compilation Fat of the Land, released via Factory Records video imprint IKON. "Here is the first tape of a new British cinema which should be seen by everyone who loves film. The official British cinema is truly dead, alive only in admens bought dreams. This is the way to go."- Derek Jarman

Body and Landscape

Body and Landscape is the exploration of the world of a dancer, who finds in her body the best way to experience the world. Above all, the short film alludes to the cycle of life, where there is a beginning, a middle and an indication of the end. The construction of the film's visual and sound landscape is developed from two narratives, which communicate simultaneously. One that starts with the dancer, who uses dance as the main means of expression and that follows a chronologically organized direction in the narrative and another that starts from visual plans based on nature, without obeying a temporal logic, and that refer to the story by Hans Christian Anderson.

Running Fields III

2024

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

Praegnans

2023

A man, alone in a room, experiences a nightmare of his own

I DO feel like dancing

2021

A Short Film focusing on the urge to escape from the rabbit hole of depression

Invisible

2021

Shot in black and white, Invisible merges performance art and personal documentary to reflect personal and shared experiences during the military coup. Set in an abandoned building where many young revolutionists sought refuge, the seemingly invisible experiences of displacement, loss, suffering and anger are made visible through words and subtle movements.

Freedom of Clouds

2021

Informed by Taoist notions on the flow of nature, Freedom of Clouds is an experimental audiovisual poem composed of two visual languages which shift in tandem with the sonic landscape. The first involves abstract audio-reactive particles imitating the movement of dust, while the second is composed of Myanmar’s urban scenes which blur and morph as the piece moves away from form and definition.

period@period

2016

Set against an operatic soundscape, period@period is a sensual interplay of sound and image that focuses on the anonymous protagonist’s monthly period and the rituals associated with it.

Protective Coloration

1979

Protective Coloration shows Fisher seated at a mottled table. He wears short-sleeved hospital garb, surgical green ‘scrubs’. Nose-clips block his nostrils while a mouth-guard that looks like fake lips covers his mouth. Over the course of 11 minutes he masks his face and covers his hands with bright gear in colours that accumulate to resemble those of the standard reference chart: he puts on orange eye-caps, then a yellow bathing cap; covering his nose and mouth and the gear already there, he dons a black gas mask; a silky black sleeping mask voids his already covered eyes, a cyan blue bathing cap caps the yellow; yellow rubber gloves snap on his hands and forearms; puts on cyan eye goggles, then struggles with yet another bathing cap, hazmat orange, over the other two. A silvery transparent shower cap tops the caps, itself topped by a plastic green helmet. Finally heavy-duty magenta gloves hide most of the yellow rubber. Preserved by the Academy Film Archive in 2008.

Vidéo noire

2021

I'm invited into a room. Someone is talking to me. I keep getting sucked into another place.

Increasing Tension Between Me and the Possibility of Not Breathing as the Election Approaches

2023 · ★ 10

when a double agent finds out he is going to be killed, he operates a series of murders.

REYNIVELLIR

2023

Reynivellir is a representation of the transit that is generated when approaching the art work, described with visual games that can well be evoked by the same brain when witnessing the impossible figures of Jose María Yturralde. Reynivellir is also a beach in a country that is a musical sonnet, and this is so because the mental image does not always connect the articulated parts of a sensation, it is systematic, but aleatory, and it is from these notions of the field of observation, that it approaches and moves away from understanding, linking and unlinking forms, movements, sounds, sensations and knowledge.