Trailers Schmailers

In Light, In!

2014

A darkly beautiful visual essay that explores human emotion in response to societal standards. With a lone cello providing the soundtrack, this collage of archival footage from 1950’s-era films is a superb example of manipulation via sound and image (Dorothy Woodend, DOXA Documentary Film Festival)

42nd Street Forever, Volume 5: Alamo Drafthouse Cinema

2009 · ★ 6.5

WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!

Going Attractions: The Definitive Story of the Movie Palace

2019 · ★ 6.3

Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.

We Exist Triply

★ 7

A sock puppet explores a family history told from the perspective of a mother and father.

The Maine Frontier: Through the Lens of Isaac Walton Simpson

2014

The Maine Frontier: Through The Lens of Isaac Walton Simpson, combines the scarcely seen turn-of-the-century photography of Isaac Simpson with both archived and current films, oral histories, and a compelling musical soundtrack performed live.

WINHANGANHA

2023

WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.

We Were the Scenery

2025 · ★ 7

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”

Divan

2003 · ★ 5

Pearl Gluck travels to Hungary to retrieve a turn-of-the-century family heirloom: a couch upon which esteemed rabbis once slept. En route for the ancestral divan, Pearl encounters a colorful cast of characters who provide guidance and inspiration.

Song of a Jewish Cowboy

Scott Gerber, an unlikely mix of Yiddish and cowboy cultures, learned Yiddish and progressive songs from his mother and grandmother. A descendant of the left wing Petaluma chicken ranchers, Scott carries on the Yiddish and ranching traditions and proudly works in agriculture today.

Time Keeps Marching On

2026

An undocumented immigrant explores his and his family's immigration trauma while grasping hope through a voicemail.

Dear Thirteen

2022

A nuanced portrait of a new generation, Dear Thirteen is a cinematic time capsule of coming of age in today’s world. Through the eyes of nine thirteen-year-olds, we see how pressing social, geographical and political challenges are shaping, and being shaped by, young people: rising anti-Semitism in Europe, guns in America, gender identity and racial divisions across Australia and Asia. With no adult commentary outside the filmmaker, Dear Thirteen offers an intimate view into the universal uncertainty inherent in growing up.

Dreaming of a Jewish Christmas

2017 · ★ 8

An offbeat, irreverent musical documentary that tells the story of a group of Jewish songwriters, including Irving Berlin, Mel Tormé, Jay Livingston, Ray Evans, Gloria Shayne Baker and Johnny Marks, who wrote the soundtrack to Christianity’s most musical holiday. It’s an amazing tale of immigrant outsiders who became irreplaceable players in pop culture’s mainstream – a generation of songwriters who found in Christmas the perfect holiday in which to imagine a better world, and for at least one day a year, make us believe.