Ventana en Carrer de Badajoz

The First Wave

2021 · ★ 6.6

When Covid-19 hit New York City in 2020, filmmaker Matthew Heineman gained unique access to one of New York’s hardest-hit hospital systems. The resulting film focuses on the doctors, nurses, and patients on the frontlines during the “first wave” from March to June 2020. Their distinct storylines each serve as a microcosm to understand how the city persevered through the worst pandemic in a century

Godard Cinema

2023 · ★ 5.6

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

Wuhan Wuhan

2021 · ★ 6

In a time when the world needs greater cross-cultural understanding, WUHAN WUHAN is an invaluable depiction of a metropolis joining together to overcome a crisis.

火藥, burn my eyes

In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.

Living in Fear

Filmed and edited entirely in isolation, Living in Fear is an educational and inspiring documentary directed by myself, Stephanie Castelete-Tyrrell, a disabled filmmaker as I capture the fears and struggles disabled people faced before the government implemented the lockdown on the 23rd March 2020. Thousands of people with disabilities were left in the dark and had to make the call weeks before to lockdown as it was inevitable that we would die if we caught the virus. Food was impossible to access because we couldn't go out or get delivery slots, and even if we did panic buyers made it impossible to get the items we desperately needed. We were truly isolated, unable to have family and friends visit. Having carers coming in and out of the house was risky and many disabled people felt that having basic care was putting their lives at risk.

Running Fields II

2024

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

Uninformed Consent

2022 · ★ 10

An in depth look into the Covid 19 narrative, who’s controlling it and how it’s being used to inject an untested, new technology, into almost every person on the planet. This film explores our recent loss of human rights while weaving in the devastating impact of mandates and the deeply powerful story of one man's loss. Hear the truth from doctors and scientists unafraid to stand up against Big Pharma and the elite class who profit from these mandates. https://uninformedconsent.ca

The Year Earth Changed

2021 · ★ 7.9

Never-before-seen footage shows how our living in lockdown opened the door for nature to bounce back and thrive. Across the seas, skies, and lands, Earth found its rhythm when we came to a stop.

Teatro Circo de Orihuela

2021 · ★ 6

Augusto M. Torres makes a tour of images in honor of the CIRCUS THEATER of Orihuela.

This Is Not an Olive Tree

2017

A theoretical exercise can stem from a physical one: using the camera as if it was the vibrating device placed on the olive trees for the harvest of its fruit, the final result is a series of original and intriguing images. The camera shakes, gets in and out of focus, and we don’t exactly know what is happening. At first this is a strange disorientation, but then you get used to it through the cyclical mechanical noise that joins the images. The words of a peaceful female voice allows you to frame the film: a visual exercise after all can also be free.

Anthology 37

After a troubled young man leaves his friend for dead, he retreats to his mother's house where he watches a collection of old videos called Anthology 37. Lines blur between fiction and documentary and dream-like states as his guilt reaches its breaking point. Shot between 2013 and 2023.

Blame

2026

A reflection on the relationship between science, politics and the media. And on how we as humans tend to look for scapegoats and screaming narratives.