The Awakening
★ 7 · 1980 · 2m · Animation · Fantasy
Through symbols evoking love of beings, a human searches them and finally drowns in a moving dream and denies reality.
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A child tells the nativity story to his dog on Christmas Eve.
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Odds & Ends
1959 · ★ 7.3
Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.
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A balance of Marcela's life, a middle-age woman used to daily routines and half-way dreams, viewed through a complex animated universe. In this balance, every biographic fact is shown as an original graphic universe.
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1978 · ★ 5.6
An animated adaptation of A Christmas Carol from Arthur Rankin Jr. and Jules Bass -- the duo behind some of the most enduring Christmas specials ever (including Rudolph the Red-Nosed Reindeer). Reinvented as a 49-minute musical, this charming cartoon stars the voice of Walter Matthau as the bedeviled Scrooge and Tom Bosley as the Jiminy Cricket-type narrator, B. Humbug, Esq. It features animation by Japanese studio Topcraft, known for their work on other Rankin/Bass films such as The Hobbit, The Flight of Dragons, and The Last Unicorn.
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