
High Sugar
2025 · 3m · Animation · Mystery
A police officer has a fever dream after having too much sugar.
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Begins as a whimsical piece with 'sheets' of lines running down the screen, progressing into more and more complex geometic patterns but without deviating from the basic precepts of 'dot and line' animation. Jazz piano on a lazy Sunday afternoon, and a spring color palette. -- Stephanie Sapienza. Preserved by the Academy Film Archive in 2001.
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1973 · ★ 3
A child tells the nativity story to his dog on Christmas Eve.
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What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.
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Mara—the spirit of the night, the weaver of darkened dreams—pressed upon my chest as sleep held me captive. My memory. In the haze of a dream, I saw those I loved, their faces bathed in an otherworldly glow. The nightmare was not the shadows nor the fear they whispered, but the cruel certainty of waking—of losing them to the morning light
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Casper's First Christmas
1979 · ★ 6.2
Yogi Bear, Boo Boo, Huckleberry Hound and their friends get lost and decide to spend Christmas by vising Casper, the friendly ghost. But soon they encounter a not-so-friendly ghost.
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Odds & Ends
1959 · ★ 7.3
Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.
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2009 · ★ 10
A balance of Marcela's life, a middle-age woman used to daily routines and half-way dreams, viewed through a complex animated universe. In this balance, every biographic fact is shown as an original graphic universe.
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The Stingiest Man in Town
1978 · ★ 5.6
An animated adaptation of A Christmas Carol from Arthur Rankin Jr. and Jules Bass -- the duo behind some of the most enduring Christmas specials ever (including Rudolph the Red-Nosed Reindeer). Reinvented as a 49-minute musical, this charming cartoon stars the voice of Walter Matthau as the bedeviled Scrooge and Tom Bosley as the Jiminy Cricket-type narrator, B. Humbug, Esq. It features animation by Japanese studio Topcraft, known for their work on other Rankin/Bass films such as The Hobbit, The Flight of Dragons, and The Last Unicorn.
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