Conversation with Two Lovers
2025 · 21m · Documentary
Shot in two places marrying with each other by a single and fractured bridge between Condrieu and les Roches-de-Condrieu, this film is the continuation of exploring ephemeral movement through the use of editing, camera movements and color sampling.
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Carta al Interior de una botella
2019
The meeting point between two comunication media: A letter written in 1929 -hidden inside the adobe walls of an old country house - and the shooting of the coutryside along the highway that connects two Chilean cities un 2018.
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Face of the Earth
1975 · ★ 8
Face of the Earth explores the origin of our planet's outer layer, the why-and-how of its mobility. Through the use of well-designed diagrams, the earth's cyclical activity is clearly explained. Some unusual footage on volcanoes gives added punch to an already absorbing subject.
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Memory
2007 · ★ 4
Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.
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Meat Joy
1964 · ★ 6.7
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
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Futura Free
2025
An experimental odyssey through altered realities and reconstructed archives, where wandering voices of the past, present, and future unravel the elusive nature of time and memory.
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December Hide-and-Go-Seek
1993 · ★ 5.6
"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito
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No God No Father
2025 · ★ 6.8
The film explores a young man's intimate relationship with the Internet. While the absence of a father figure has left him searching for answers, he finds an unexpected mentor in Google. From learning everyday tasks like shaving to discovering deeper knowledge, the algorithm becomes much more than a simple search engine, blurring the boundaries between real and virtual.
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Devil's Circuit
1988 · ★ 6
A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.
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By Brakhage: An Anthology, Volume One
2003 · ★ 7
Working completely outside the mainstream, the wildly prolific, visionary Stan Brakhage made more than 350 films over a half century. Challenging all taboos in his exploration of “birth, sex, death, and the search for God,” he has turned his camera on explicit lovemaking, childbirth, even autopsy. Many of his most famous works pursue the nature of vision itself and transcend the act of filming. Some, including the legendary Mothlight, were made without using a camera at all, as he pioneered the art of making images directly on film, by drawing, painting, and scratching.
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Forever…Forever
2026
The uninterrupted light trail of one year and ten months, condensed down to 20 minutes, filmed on a self-made camera. Daily rhythms accelerate, slowly at first, then more intensely. A structuralist film about transience.
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Filme Pin
2026
Between light, metal and silver, a collection of solidarity pins turns into an archive of another scale: spectres of exile and international struggle against Portugal’s fascist and colonial regime.
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detours while speaking of monsters
2024
Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.
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