Ré-inventer l'enfance

Hitting the Ceiling

2023

The story behind the growth of women's and girls' volleyball in the United States and how it continues to bolster and empower young women in their development. Featuring direct interviews with players, coaches, and families, as well as footage of the 2022 Big South Qualifier tournament.

TOMBOY

2017

TOMBOY explores the obstacles that young girls encounter on the recreational stage, the stereotypes, language issues and cultural disparities that follow, and ultimately the insufficient media coverage and compensation that afflicts elite professional athletes seeking full recognition for their talents. The journey of the female athlete is often discouraging, and despite progress achieved during the Title IX era, gender equity in athletics has a long way to go.

The Genius and the Boys

2009 · ★ 6

D Carleton Gajdusek won the Nobel Prize for the discovery of Prions - the particles that would emerge as the cause of Mad Cow disease - while working with a cannibal tribe on New Guinea. He was a star of the scientific world. Over his years working amongst the tribes of the South Seas, he adopted 57 kids, bringing them to a new life in Washington DC. His adoptions were hailed as wonderful fatherly beneficence. But, at the height of his career, rumours began to spread he was a paedophile. Gajdusek would argue that if sex with children was okay in their own cultures, he wasn't wrong to join in. How could a great mind like Gajdusek's lose insight so totally, and why would the scientific community to which he was a hero be so quick to leap to his defence and dismiss the allegations? (Storyville)

Elles prennent la parole

2017

No synopsis available.

Women Don't Cycle

2022

A film about what it means to be a woman cycling in different countries around the world. When Manon left to cycle from Brussels to Tokyo, she took a camera with her and met other women cyclists along the way. Hear their stories!

Gloria's Call

2019 · ★ 3.3

In 1971, graduate student Gloria Orenstein received a call from Surrealist artist Leonora Carrington that sparked a lifelong journey into art, ecofeminism and shamanism. This short film uses art, animation and storytelling to celebrate this wild adventure. Now more than 40 years later, award-winning Dr. Gloria Feman Orenstein is a feminist art critic and pioneer scholar of women in Surrealism and ecofeminism in the arts. Her delightful tale brings alive an often unseen history of women in the arts.

Square One

2019 · ★ 8.6

An investigation into the original 1993 Michael Jackson allegations brought by the Chandler family.

Town Bloody Hall

1979 · ★ 5.8

On the evening of April 30, 1971, a standing room only audience of local literati and feminists packed New York City’s Town Hall to watch Norman Mailer, who had just written “The Prisoner of Sex,” grapple with a panel of passionate feminists. The subject was Women’s Liberation, an issue on which Mailer seemed like the devil’s own advocate.

Completely Different, Exactly the Same

At a crossroads of borders in the Balkans, Sabina Talović, a feminist activist, faces the violence of a patriarchal system with unwavering resolve. From the Yugoslav wars to the racism of new nationalisms, her voice bears witness to how acts of solidarity are always completely different while remaining fundamentally unchanged. A humbly caring and sharp debut film by Marianna Giorgia Marchesini.

Poly Styrene: I Am a Cliché

2021 · ★ 6.6

The death of punk icon and X-Ray Spex front-woman Poly Styrene sends her daughter on a journey through her mother's archives in this intimate documentary.

Perfect Image?

1989 · ★ 9

Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.

Feminino e Barulho

2023

The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.