Political Cinema
★ 10 · 2025 · Documentary · History
Through abrupt soundtrack shifts, this short film jumps between historical political imagery to explore the cinematic language of propaganda, unpacking complex concepts through sensory explosions — from the Brazilian military dictatorship to the Chinese revolution.
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The film follows the final days of Brazil’s 2022 presidential election through livestreams and edits on the Chinese social media platform TikTok, which at that time had around 80 million active users in the country.
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Cecil Taylor: All The Notes
2005
Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.
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I Saw Mockingbirds laughing under the sun of Valence
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War Dance
2007 · ★ 7.2
Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.
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Valpurnis: Saturan
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A Rock-Opera unlike any other film ever made, depicting the stages of Judas Iscariot's decision to sell Jesus Christ to the Romans.
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if you seek amy
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Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.
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A documentary about the rehearsal of a theater production of Ingmar Bergman's "Fanny and Alexander" in 2012, in Stockholm, Sweden.
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I Looked Outside and Saw Us All
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A variety of storefront mannequins look at, contemplate on, and talk about public space.
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Blue For a Moment
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Blue for a Moment is a documentary portrait of Swedish-born, Berlin-based musician Sven-Åke Johansson, a key figure in European improvised and experimental music. Active as a jazz drummer, composer, poet and visual artist, Johansson has spent decades challenging artistic conventions and genre boundaries. Born in 1943, he moved to Berlin in the late 1960s and became involved in the city’s experimental scene, including the Zodiak Free Arts Lab. During the 1970s and 1980s he played an important role in the West Berlin free jazz movement around the FMP/SÅJ label, collaborating with musicians such as Alexander von Schlippenbach and Rüdiger Carl. Influenced by Fluxus and modernist traditions, Johansson developed a distinctive approach based on noise, reduction and the use of everyday materials, anticipating the Echtzeitmusik scene that emerged in Berlin after 1990. The film explores his creative process, artistic philosophy and lasting impact on contemporary experimental music.
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