Maria Júlia
Documentary
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Olympia Part Two: Festival of Beauty
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Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
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Olympia Part One: Festival of the Nations
1938 · ★ 6.9
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
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1983 · ★ 7.9
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
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Chronos
1985 · ★ 7.5
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
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Powaqqatsi
1988 · ★ 7.3
An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
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A visual montage portrait of our contemporary world dominated by globalized technology and violence.
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Love and Feathers
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Special Olympics athlete Jesse Lanterman prepares for her upcoming competition in her usual ways: working her salon job, bowling with friends, and searching for the juiciest strawberry in her garden. Filmed by the subject's cousin, this week-in-the-life short documentary offers an intimate profile that champions the tenderness of cousinly love.
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Microcosmos
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A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
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Letters to my Grandma
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A young filmmaker maintains an epistolary conversation with his deceased grandmother while he rediscovers the space they both inhabited for more than a decade.
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de Luz
2022
Filmed during lockdown 2020, ‘de Luz/Of Light’ explores fleeting perceptions and cyclic rituals of Portuguese coastal landscapes, specifically surrounding the Cabo Sardão Lighthouse in Beja, and constructs a complex audio-visual narrative through collaging together various natural rhythms (such as the sun and motion of the sea). This film is intended for screening with a 16:27 aspect ratio. The soundtrack was composed by sound artist Michelle Lewis-King.
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