Cozic

Aux rythmes du monde : couleur sur fond blanc

2019

No synopsis available.

Pouvoir Oublier

2025

Pouvoir Oublier is a political documentary first constructed from the words of the speakers whose lives changed on the tragic day of May 10, 1972 in Sept-Îles. Their word will be juxtaposed with archival material from the events, some of which are unpublished, which will reflect the collective euphoria in which Sept-Îles and all of Quebec were then bathed.

Portrait of a Goan Collector

2019 · ★ 8

For over 30 years a man termed as a mad man, comes to light as his passionate work of collecting artifacts gathers momentum and gains the title of a museum. The film trails through the struggles of Victor Hugo Gomes, a Collector from India-Goa, and how he perceives to leave behind his collection.

André Minvielle, l'homme à la manivelle

2024

No synopsis available.

September Five at Saint-Henri

1962 · ★ 10

This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.

Splendeurs et Illusions

2019 · ★ 10

In the Garden of the New People's Theater Overview They wanted to create a theater that reflected their own vision, a freer theater, closer to its audience. So they built a wooden stage under the benevolent shade of a twisted church steeple, in the garden of a small village in Maine-et-Loire, Fontaine-Guérin. And the dream of a New People's Theater took shape amidst the fields. This is the story of a generation of actors in their thirties who have grown old together and who, ten years later, are realizing the audacity and fragility of their dream. For its tenth season, the company tackles Balzac's *Human Comedy* and plunges us into the torments and illusions of their lives as artists through the outlandish tale of Lucien de Rumbempré, a young poet who dreams of going to Paris. How can an artist avoid losing their soul? Therein lies the inner conflict. Xavier Liébard Director, Writer

Another Man’s Treasure

One man's hat is another man's treasure when it comes to the importance and significance of saving items of historic value.

Les Autres - Les immigrants peuvent-ils sauver Huntingdon?

2013

Huntingdon Mayor Stéphane Gendron wants to encourage immigration to save his town, which has been struggling ever since large-scale factory closures some years ago. Mayor Gendron’s project is a way in to a discussion about immigration and social and economic integration.

When You Listen to This Song

2025

In August 2021, writer Lola Lafon spent a night alone in the Annex of the Anne Frank Museum, where the young girl and her family hid from 1942 to 1944. This experience gave rise to a book, Quand tu écouteras cette chanson, and now its documentary adaptation. Over the course of a night, the author revisits her story. An inner journey around the figure of Anne Frank and the power of writing in the face of oblivion.

Québec...?

1967

This short documentary film is a fascinating portrait of urban and rural Quebec in the late 1960s, as the province entered modernity. The collective work produced for the Quebec Ministry of Industry and Commerce calls on several major Quebec figures.

Les héritiers

1955

Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.

Entretien en six temps avec Gilles Groulx

2002

This feature-length documentary brings together six of the rare television interviews given by Gilles Groulx between 1966 and 1983. Through these interviews, the filmmaker's ethical and aesthetic concerns are revealed. A striking coherence emerges in his thinking regarding his conception of cinema and the role the filmmaker should play in his culture and society.