Walking On Piano
2018 · 4m · Documentary · Music · Drama
An experimental short where one's footsteps create sound on a piano, creaks and all.
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Grid
2021 · ★ 6
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
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Glittering Misfits
2019
Dirty Martini and Tigger!, stars of the New York underground scene, reveal some of the secrets of their provocative and remonstrative forms of artistic expression in New York’s Off-Off-Broadway. Meanwhile, they will help us to understand from their everyday intimacy the reasons, the struggles and the keys that keep them in their place as the figures and references of the burlesque revival, more than 20 years after the phenomenon exploded in the New York of the 90s.
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Fall 1
1970 · ★ 6
Bas Jan Ader's first fall film shows him seated on a chair, tumbling from the roof of his two-storey house in the Inland Empire.
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I'm Too Sad to Tell You
1971 · ★ 6
This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
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Broken Fall (Geometric)
1971 · ★ 5.5
One of a series of ‘falls’ by Bas Jan Ader that he recorded on film, this work was filmed in West Kapelle, Holland in 1970.
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Broken Fall (Organic)
1971 · ★ 6
Bas Jan Ader hangs from the branch of a tall tree, until he loses his grip and falls into a river below.
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Nightfall
1971 · ★ 3.5
Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.
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2012
The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.
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Meat Joy
1964 · ★ 6.7
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
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between the walls
2015
A young artist, Sofia - a photographer, wanders the streets at night with her camera. She's led by a mysterious graffiti artist through his written poetry on street walls and embarks upon a spiritual quest.
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MERAHEFET
2023
In the video art work "MERAHEFET" describes the world of a ghost, from her point of view floating over places that become a spring, a path that suggests a deep longing that is only revealed when the ghost stops for a moment to look out the window. This moment when she manages to take control of it, is flooded with flashes of mirrors that reveal to the viewer and the spirit what motivates her to continue her journey.
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