Vulto Sagrado
2026
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In 2012, Beatrice, a young adult, came from Acre to study Cinema at a renowned university in Belo Horizonte, with the intention of experiencing new experiences. As the days go by, she begins to identify challenges regarding the new change. Missing his family, insecurities, in addition to prejudice, pass through his life. She, not knowing what else to do, connects with her mother seeking answers and redirection to overcome her difficulties.
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Founding a social Muay Thai project in the North Zone of Rio de Janeiro, Mestre BG and his competitors face the adversities of an underfunded project and fight to win their place on the podium. The challenges intensify when one of the students, Raíssa Pacheco, secures a spot to compete in a South American championship in Uruguay.
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A young man walks the city streets, brooding over the end of a relationship. Memories and poems of his beloved accompany him on this journey.
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Cinema Brasileiro, Mercado Ocupado
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Documentary by Leon Hirszman about the economic conditions of film production in Brazil, produced in 1975 with sponsorship from Embrafilme and kept unreleased since then.
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Four researchers record their perceptions as they walk through the patch of the BR-116 that goes through Canoas, Rio Grande do Sul, Brazil, looking for characters who’ve had their lives connected throughout the highway. The BR-116, the largest road in Brazil, crosses 10 states and connects Fortaleza to the municipality of Jaguarão, at the Uruguayan border, while also going through Canoas, splitting the city in two. The documentary brings testimonies from different people who share their life stories. “A Highway Movie” (2025) is the work that concludes Wender Zanon’s trilogy on Canoas, which starts with “This Is Canoas, Not Poa” (2021), followed by “Essays on a city” (2024).
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