The Documentary RougeHotel
2026 · Documentary · Adventure
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Der Maler Philip Guston – Ein amerikanisches Leben
2023 · ★ 8
The extraordinary work of the American artist Philip Guston is a milestone in modern painting. Guston is one of the most discussed painters of his time and today a star of the younger generation of contemporary artists. ARTE is showing the documentary on the occasion of the major Guston retrospective at the Tate Modern in London.
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Music Box: Happy and You Know It
2025 · ★ 10
A joyful and surprising journey into the fascinating world of toddler pop, exploring why kids' music is so catchy, can be deeply meaningful, and how AI is taking hold and shaping the industry. Featuring appearances by The Wiggles, Laurie Berkner, and other musicians.
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The Rise of K-Pop
2020 · ★ 2
BTS, BLACKPINK, iKon, EXO, VIXX, G-idle, NCT. The Korean wave has arrived. K-pop has officially taken over the world. Now some of the biggest artists in the world are the result of a booming idol culture that has brought incredible songs, unmatched choreography and high concept production to a music revolution.
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Green Light
2023
Moments of a group of high school students at a party, before the college admission tests start.
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Philippe-Alain Michaud, le réel traversé par la fiction
2016
To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.
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Living Bach
2023
There are more than 300 Bach choirs and Bach ensembles worldwide, most of which are made up of amateurs. For many, their lives are inextricably linked with the music of Johann Sebastian Bach. What do people seek and find in his music? What connects them across continents? What fascination lies in the music of the famous German composer, which manages to transcend borders, cultures, religions and centuries? The film embarks on a journey through six continents to meet amateur musicians and singers who have made Bach their "centerpiece".
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Bruno Petretto - Una vita per l'arte
2024
Bruno Petretto is a farmer, breeder, actor and artist. He lives in deep symbiosis with nature and uses natural elements as the primary components of his works of art. He dedicates his days to taking care of the Molineddu Arts Park, an enchanted forest where art reigns supreme and coexists with the landscape.
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Post New Bills: The Story of Green Patriot Posters
2014
A short documentary illustrating how art can influence public perception towards environmental issues. Green Patriot Posters is a highly acclaimed multimedia design campaign that challenges artists to deepen public understanding and ignite collective action in the fight against climate change. So far, it has reached five million people through print media, public space and digital culture. The film features interviews with key Green Patriot Posters contributors (Shepard Fairey, Michael Bierut, DJ Spooky, Mathilde Fallot) and its founders (The Canary Project, Dmitri Siegel).
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Now and Then - The Last Beatles Song
2023 · ★ 7.6
The story of The Beatles' last song featuring exclusive footage and commentary.
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I'm Too Sad to Tell You
1971 · ★ 6
This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
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