
Perspectrum
โ 10 ยท 1975 ยท 6m ยท Animation
In this animated short, simple geometric forms as thin and flat as playing cards constantly form and re-form to the sound of the koto, a 13-stringed Japanese instrument.
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3/78 (Objects and Transformations)
1978
Sixteen 'objects', each consisting of one hundred points of light, perform a series of precisely choreographed rhythmic transformations. Accompanied by the sound of a Shakuhachi (the Japanese bamboo flute), the film is an exercise in the visual perception of motion and mathematical structure.
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Squares
1973
An abstract computer-generated film. The image is of squares revolving in space around and through each other. Colors and forms multiply and divide against a beautiful symphonic score by George Kleinsinger.
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Thine Own Self
2022
Torn from their home by a hand in the sky, colorful entities seek freedom from a rigid binary in this short experimental animation.
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2013
The screen is divided again and again until the picture arranged in ever changing strips bursts into whirring dynamic.
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Lost Utopia
2007 ยท โ 5
The story of Adam and Eve with jazzy music. Short experimental animation without words.
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Divisional Articulations
2017 ยท โ 5
Repetition and distortion drive this audiovisual collaboration between composer Lux Prima and visual artist Max Hattler, where fuzzy analogue music and geometric digital animation collide in an electronic feedback loop, spawning arrays of divisional articulations in time and space.
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Flesh Flows
1974
In Flesh Flows we see a balance of Beckettโs keen drawing ability, in the probing erotic forms, and his technical acuity, which transforms the carnal images into a compelling, transcendent experience. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
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Things to Come
1953
A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
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Dimensions
2016
A mathematical play on one repeated movement. It imparts a sense of possibilities: that something simple can produce complex and unexpected patterns. As with an atom, the variety of possibilities from a base movement is potentially infinite.
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Rectangle & Rectangles
1984 ยท โ 10
This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.
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