On the Pole: Eddie Sachs
★ 10 · 1961 · 61m · Documentary
A direct-cinema portrait of Indianapolis 500 driver Eddie Sachs, filmed before, during, and after the 1960 race as he competes from pole position. Using pioneering mobile camera and sound techniques, the film captures the psychological intensity of racing and the personal cost of high-speed competition.
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The Town
1944 · ★ 6
The Town was a short propaganda film produced by the Office of War Information in 1945. It presents an idealized vision of American life, shown in microcosm by Madison, Indiana. It was created primarily for exhibition abroad, to provide international audiences a more well-rounded view of America, and was therefore produced in more than 20 translations. Preserved by the Academy Film Archive in 2012.
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Women in Defense
1941 · ★ 5.6
Short documentary extolling the virtues and necessity for women to participate in America's preparation for war, showing women working in scientific, industrial, and voluntary-services activities. Preserved by the Academy Film Archive in 2008.
More info →Fighting the Fire Bomb
1941 · ★ 8
Documentary short explaining proper techniques for handling and disposal of incendiary bombs. Preserved by the Academy Film Archive, from the Academy War Film Collection, in 2009.
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Sikkim
1971 · ★ 6.7
Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India when Sikkim merged with India in 1975. The ban was finally lifted by the Ministry of External Affairs in September 2010. Preserved by the Academy Film Archive in 2007.
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Shoppers Market
1963
UCLA Student Color Film. "a documentary film of marked lyrical and experimental tendency which was photographed and recorded in a L.A. supermarket. It consists of five sequences: 1) description of people 2) Comedy 3) choreographing natural movements 4) transformation fo visual reality 5) empathy". Preserved by the Academy Film Archive in 2011. Filmed at Shopper's Market, Santa Monica, CA.
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The Sun's Gonna Shine
1969 · ★ 6.9
A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.
More info →America's Hidden Weapon
1944 · ★ 9
Documentary short film demonstrating the way wartime farming measures in 1943 resulted in the greatest American food crop in history. Preserved by the Academy Film Archive in 2012.
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California's Golden Beginning
1948 · ★ 9
A description and enactment of the discovery of gold by James Marshall, and the role played by John Sutter. Preserved by the Academy Film Archive.
More info →Seeing Them Through
1945 · ★ 10
Documentary short film reporting on the activities of the American Red Cross and the useage made of contributed funds for the previous year. Preserved by the Academy Film Archive in 2012.
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The Wormwood Star
1956 · ★ 6.4
A portrait of artist, actress, poet and occultist Marjorie Cameron, it shows images of her paintings and recitations of her poems. Preserved by the Academy Film Archive in 2006.
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The Chair
1963 · ★ 7.5
Follows a crusading lawyer as he embarks on a campaign to save an African-American man, Paul Crump, from the electric chair. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.
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Migration
1969 · ★ 6
"Whereas SQUARE INCH FIELD was composed largely in the camera, Rimmer's next film, MIGRATION, made full use of rear-projection rephotography, stop-framing, and slow motion. The migration of the title is interpreted as the flight of a ghost bird through aeons of space/time, through the micro-macro universe, through a myriad of complex realities. A seagull is seen flying gracefully in slow motion against a grainy green sky; suddenly the frame stops, warps and burns, as though caught in the gate of the projector. Now begins an alternation of fast and slow sequences in which the bird flies through time-lapse clouds and fog and, in a stroboscopic crescendo, hurtles into the sun's corona. Successive movements of the film develop rhythmic, organic counterpoints in which cosmic transformations send jelly fish into the sky and ocean waves into the sun." - Gene Youngblood. Preserved by the Academy Film Archive in 2014.
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