Adriana Lecouvreur
★ 7.5 · 2000 · 136m · Drama · Music
Francesco Cileo wrote this opera about the real life Adriana Lecouvreur, a French actress from the 18th Century who revolutionized acting by her naturalistic delivery.
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Aria
1987 · ★ 5.4
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.
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The Pirates of Penzance
2020 · ★ 10
Sasha Regan’s award-winning All-male Company are set to lift everyone’s spirits with a treat in their new West End pirate’s cove. The swashbuckling pirates and their winsome lasses sail into the Palace Theatre with their inventive new take on W. S. Gilbert & Arthur Sullivan’s classic operetta THE PIRATES OF PENZANCE. Featuring a dazzling cast singing songs including: “I am a Pirate King”; “Oh, happy day, with joyous glee” and “A rollicking band of pirates we”, they are sure to raise the roof off the Palace Theatre!
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The Secret Lives of Dentists
2002 · ★ 5.7
An introspective dentist's suspicions about his wife's infidelity stresses his mental well being and family life to the breaking point.
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The Day I Met Caruso
1956
A ten-year-old girl meets famed opera singer Enrico Caruso on a train between Boston and New York. She admonishes him for his extravagant lifestyle, but she is softened up somewhat when Caruso begins to sing arias from her favorite operas.
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Lucia di Lammermoor
2016 · ★ 7
Diana Damrau’s reputation as the world’s leading coloratura soprano has been built on her extraordinary technical virtuosity, her sensitive musicianship and her acute psychological insight. In this DVD of Katie Mitchell’s sometimes radical production of Lucia di Lammermoor from London’s Royal Opera House, she is, as the Financial Times wrote, “brilliantly convincing”. The British award winning director Katie Mitchell – took a revisionist approach to the drama, updating the action to the mid-19th century and applying a feminist slant as she added new and unexpected elements. The Financial Times wrote: “Mitchell shows us on stage personal traumas that a self-respecting woman in the early 19th century was meant to keep to herself. It is a messy, bloody list — nocturnal sex trysts, a knife murder, a miscarriage, a suicide in the bath … In all this Damrau is brilliantly convincing. Her rebellious Lucia is a woman of modern attitudes stuck in a still feudal Victorian world.”
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Sarah Plays a Werewolf
2017 · ★ 6.5
17-year old Sarah, filled with adolescent angst, is an extreme person who in her rehearsals with a theatre group is transformed until she is almost in a trance, and her performances at home or elsewhere verge on excess. A cold, intellectual father, a timid mother, a younger sister and an older brother who has left home complete the picture: a silent time bomb.
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Gianni Schicchi
2015 · ★ 6.6
Woody Allen's production of the Puccini comic opera at LA Opera in 2015
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La Vie parisienne
2022
La Vie parisienne (Parisian life) is an opéra bouffe, or operetta, composed by Jacques Offenbach in 1866, with a libretto by Henri Meilhac and Ludovic Halévy. This work was Offenbach's first full-length piece to portray contemporary Parisian life, unlike his earlier period pieces and mythological subjects. It became one of Offenbach's most popular operettas.
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The Right to Live
1935 · ★ 4.9
A man with a broken back dies after his wife has an affair with his brother.
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The Miracle of Heliane
2019 · ★ 9
The first-ever audio-visual recording of this opera – directed by Christof Loy, conducted by Marc Albrecht and with Sara Jakubiak, Brian Jagde and Josef Wagner in the leading roles
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Ariadne auf Naxos
2012
Starring Jonas Kaufmann as Bacchus and featuring Emily Magee with Daniel Harding conducting the Vienna Philharmonic, Ariadne auf Naxos was filmed at the acclaimed Salzburg Festival in 2012. This release also includes "Le Bourgeois gentilhomme."
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Der Freischütz
1999
The legendary director Ruth Berghaus created this staging of Carl Maria von Weber’s Der Freischütz as a gripping theatrical experience for the Zurich Opera in 1993. Its revival in 1999 was a roaring success. With sets by Hartmut Meyer and costumes by Marie-Louise Strandt, Berghaus’ staging avoids the local peasant colour conventionally associated with Weber’s opera. Chorus and orchestra of the Zurich Opera House are conducted by Nikolaus Harnoncourt, universally celebrated for the structural transparency of his interpretations, his intellectual penetration and his emotional understanding of both music and opera plot. And last but not least an all-star cast made this production a highly memorable event: the dramatic soprano Inga Nielsen as Agathe, one of her best roles, the Swedish soprano Malin Hartelius as Ännchen, the sought-after Heldentenor Peter Seiffert, who gives a convincing passionate Max, and many others.
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