
Evensong
★ 6 · 1934 · 87m · War · Drama · Music · Romance
Loosely based on the story of the singer Nellie Melba...
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Sister Act
1992 · ★ 6.8
When lively lounge singer Deloris sees her mobster beau commit murder, she is relocated for her protection. Set up in the guise of a nun in a California convent, she proceeds to upend the quiet lives of the resident sisters.
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Rita
1962 · ★ 8
a film opera; music by: Gaetano Donizetti (Philharmonic Orchestra of Rome) Directed by Giuseppe Zedda.
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1987 · ★ 6.8
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Viva Las Vegas
1964 · ★ 6.1
Lucky Jackson arrives in Las Vegas with his car literally in tow ready for the first Grand Prix — once he has the money for an engine. He gets the cash easily enough but mislays it when the pretty pool manageress takes his mind off things. It seems he'll lose both race and girl, problems complicated by rivalry from womanizing fellow racer Elmo Mancini.
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Cosi Fan Tutte
1983
An excellent performance of this delightful opera. The principals are superb, especially the sisters. Bruscantini as Don Alfonso is past his prime, but he knows and understands the role inside out, so one does not even notice his vocal limitations. Araiza is in top form as Ferrando, and Morris makes virile Guglielmo. The only disappointment is Battle as Despina. Unlike her partners, she does not have feel for the Mozart ensemble, and her vocal mannerisms are totally unbecoming. How the producers allowed that to happen is a mystery. Muti's conducting is terrific, much better than on his La Scala video, where he is uninvolved.
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No synopsis available.
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Between the nostalgia of resurfacing roots and the desire to venture into song to experience a rebirth, Nicolas Maury reveals himself unguarded before Didier Varrod, with a deeply moving sincerity. Nicolas Maury released his first album, La porcelaine de Limoges, in January 2023—a new experience for this unique, demanding, and multifaceted actor. It is an opportunity to paint an intimate portrait of him through an extended interview on a train between Paris and Limoges. In this specific setting, which was also that of his first (silent) film role with Patrice Chéreau in Those Who Love Me Can Take the Train, Nicolas discovers archives and hears from close acquaintances who speak about him. A documentary film, like a kind of initiation rite, it moves back and forth between memories of France and childhood, and his condition as a man and artist today, taking on a new identity through music.
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The Orchestra of the Royal Opera House presents a new production of Poulenc's short opera La Voix Humaine, featuring soprano Danielle de Niese and shot on location in Paris and London.
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