Only Image Remains

Going Attractions: The Definitive Story of the Movie Palace

2019 · ★ 6.3

Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.

My Enemy, My Brother

2017

The eight-year Iran-Iraq War was one of the most brutal conflicts to devastate the region in the 20th century. Zahed was 13 years old when he enrolled in the Iranian army. Najah was 18 when he was conscripted into the Iraqi army, and he fought against Zahed in the Battle of Khorramshahr. Fast forward 25 years, a chance encounter in Vancouver between these two former enemies turns into a deep and mutually supportive friendship. Expanded from the 2015 short film by the same name.

Comrades in Dreams

2006 · ★ 7.2

Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.

The Other Side of Burka

2004 · ★ 7.5

The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.

Hitchcock, Selznick and the End of Hollywood

1999 · ★ 7.8

Paying homage to two of Hollywood's central icons, the film creates an unparalleled portrait of two very different personalities amidst the demise of the studio system.

The Last Jews of Baghdad: End of an Exile; Beginning of a Journey

2005 · ★ 9

The Last Jews of Baghdad takes a historical and personal look at the persecution, torture, escape and exodus of over 160,000 Iraqi- Jews between the years 1940 through 2003. Hear from the survivors the real reasons why they left their beloved homeland of over 2500 years and if they will ever return.

AVA

Breaking a centuries-old taboo, Ava stands as the first woman in Iran to master the male-dominated craft of carpentry. Within the grit and clamor of the workshop, she confronts a society that deems her presence forbidden. This observational documentary captures her daily battle against physical hardships and social judgment.

The Freedom of the Sea

2025

The Freedom of the Sea is a short documentary highlighting the freedom of living in the UK - in contrast to a more restrictive life in Iran - through the joy of daily sea swimming in Brighton.

The Irishman: In Conversation

2019 · ★ 7.5

Martin Scorsese, Robert De Niro, Joe Pesci, and Al Pacino in conversation about The Irishman.

Lost in La Mancha

2002 · ★ 7.1

Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project.

Barbara Stanwyck: Fire and Desire

1991 · ★ 6.5

Actress Sally Field looks at the dramatic life and successful career of the superb actress Barbara Stanwyck (1907-90), a Hollywood legend.

Ouaga, the Capital of Cinema

2000

Between 1983 and 1987, Ouagadougou, the capital of Burkina Faso and the home city of FESPACO, one of the most important Pan-African film festivals in the world, was the scene of an exciting cinema utopia. With the support of the young president Thomas Sankara, the festival became a symbol of the cultural renaissance of a whole continent. The assassination of Sankara stifled the hopes of millions of young Africans, but the dynamism of FESPACO and African cinema did not stop.