Singin
2009 · 4m
The work is created using a technique that expands film scenes beyond the conventional screen ratio. The finished result reveals beautiful panoramic views of the background landscapes as captured by the panning camera, effectively allowing film scenes to be seen as never before.
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LHR
1972
A colour anamorphic musical look at London's Heathrow airport over 24-hours in November 1971. The subject was shot entirely at Heathrow airport without recording any direct sound. LHR's many layered tracks were all compiled, recorded and laid in post-production.
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Mônica e Cebolinha no Mundo de Romeu e Julieta
1979 · ★ 10
Montéquio Cebolinha and Julieta Monicapuleto find themselves in a passionate love affair, but unfortunately, their families vehemently oppose their relationship. Amagali and Friar Lourenço Cascão, ever the allies, come to the aid of the young couple, determined to support them through the challenges. However, just when they thought things couldn't get more complicated, Prince Xaveco of Verona unexpectedly enters the picture, adding another layer of complexity to the already tangled situation.
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An Up-to-Date Conjurer
1899 · ★ 6.2
A film from Méliès has him playing a magician who does a few tricks including making a woman disappear.
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Good Glue Sticks
1907 · ★ 4.9
A peddler of "the best glue" sets up his outdoor stall. A crowd gathers for a demonstration. As he gives his pitch, two observant cops decide drive off his customers and close him down, much to his fury. He seeks revenge as they sit on a park bench.
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Je t'aime John Wayne
2000 · ★ 6.1
Belmonde lives in 1990s London as an iconic , cool Frenchman modelled on the new wave cinema of the 1960s. Really he is English and middle class – a fact that his family won't let him forget!
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Art and Life: The Story of Jim Phillips
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Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.
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Dear Phone
1976 · ★ 5.4
A narrator relates a variety of peculiar stories involving characters with the initials HC and their dealings with telephones. These are interspersed with artistic shots of telephone boxes in a variety of locations.
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Sniffer
2006 · ★ 6
A man wakes on the ceiling of his bedroom and breaks a lamp to alert his wife to his predicament. She puts on her heavy boots, unstraps herself out of her bed and uses a hook on a pole to drag him back down. The next day he goes to his job where he works as a deodorant tester, sniffing the armpits of exercising test subjects. On this day though, he faces an event that will change his life forever.
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Their Purple Moment
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The boys sneak out for a night on the town, unaware that Stan's wife has switched her grocery coupons for Stan's secret stash of mad money. The boys run up a huge tab treating a couple of girls to dinner at a snazzy nightclub and much trouble ensues.
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