
Bob Marley & the Wailers - Easy Skanking in Boston '78
★ 9 · 2015 · 45m · Music
Easy Skanking In Boston 78' consists of intimate footage captured by a fan that Marley allowed to sit right at the front of the stage during one of his sets. The result is impeccable, rare footage of Bob Marley performing . In addition, to the raw footage, animation by Craig Bernard and Sara Mora Ivicevich has been included for smooth transitions and a modern touch, since (during that time) the cinematographer was shooting with film and needed to change rolls during the performance.
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The Harder They Come
1972 · ★ 6.6
Ivanhoe Martin arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, "The Harder They Come," but after a bitter dispute with a manipulative producer named Hilton, soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status. Meanwhile, his record is topping the charts.
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White Riot
2020 · ★ 6.1
Exploring how punk influenced politics in late-1970s Britain, when a group of artists united to take on the National Front, armed only with a fanzine and a love of music.
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Urgh! A Music War
1981 · ★ 7.5
Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.
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Play It Loud! How Toronto Got Soul
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In early 1960s Toronto, a white, Anglo-centric city, an underground music scene emerged from the Jamaican diaspora, led by newcomers like Jackie Mittoo, Wayne McGhie, and a young Jay Douglas. Battling racism and indifference, they left a lasting but underrecognized mark on Canadian music and culture. Nearly 60 years later, Jay Douglas still champions Jamaican music and is finally receiving long-overdue recognition. Play It Loud is a feature documentary that tells the little-known story of how Jamaican music became a vital, unlikely part of Canadian culture. It traces a cultural migration that made Canada a global hub for Jamaican music - celebrated abroad but overlooked at home. Told through the life and music of beloved singer Jay Douglas, born Clive Pinnock in rural Jamaica, the film follows his journey from teen performer to enduring icon.
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Ben Harper & The Innocent Criminals Olympia 2023
2026
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Two Sevens Clash: Dread Meets Punk Rockers
2017 · ★ 7.7
Documentary about reggae music and culture in London in 1977. Filmed in Super 8 camera by Don Letts. With participation of Richard Branson, Neneh Cherry, Paul Cook, Sly Dunbar, Paul Weller, John Lydon, Joe Strummer, Siouxsie Sioux, Lee ‘Scratch’ Perry and others. Released in 2017.
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Classic Albums: Bob Marley & the Wailers - Catch a Fire
2000 · ★ 6.7
The Wailers, featuring the legendary Bob Marley, Peter Tosh and Bunny Wailer, became the most influential band in the history of Reggae music. "Catch a Fire," their first Island album, released in 1973, introduced them to an international rock audience. The principal figures in the creation of the album tell the story of how this record was designed to "cross-over." The program features a unique interview and performance with Bunny Wailer, rare archive interviews with Bob Marley and Peter Tosh and contributions in words and music from many of those who performed, Rare home movies of the Wailers in Jamaica, unseen footage lots more.
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Roots Time
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Nuff Respect: North Zone Connection
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An independent crew organizes sound system-style events for their community in the far north of São Paulo, using reggae music as a central form of cultural expression and resistance. Through pulsating bass, street parties, and collective gatherings, they transform public space into a vibrant platform for the identity, memory, and voice of the urban periphery.
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