When We Ruled H-Town
2012 · 152m · Music · Documentary
A retrospective look at the music scene of the 1990s in Houston, Texas
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Ricky Espinosa: El Documental
2015
Ricky Espinosa: The Documentary is a self-managed and independent project created by Juan Pablo Duarte in Buenos Aires, Argentina. It explores the life of Ricky Espinosa as an artist—his beginnings, his career, and his discography—featuring previously unreleased archival material and exclusive interviews.
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The English Beat: Live at The US Festival, '82 & '83
2012
Live at the U.S. Festival, ’82 and ’83, a DVD featuring both years’ concerts in their entirety, compiling the best performances from each year. It stands as a fine tribute to a legendary ’80s/ska band and the only representation of their fantastic live show.
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Ears, Eyes and Throats: Restored Classic and Lost Punk Films 1976-1981
2019 · ★ 6.4
This collection of short films represents a hint of the tectonic shift in the underground film world in connection with the punk rock “movement.” Restored from original negatives, it showcases the reasonably well-known alongside the extremely rare, from music shorts to impressionistic documentary.
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The Long Ryders: Rockin' at the Roxy
2002
The Long Ryders, with bands such as The Bangles and The Three O' Clock, were key players in the Paisley Underground, a musical movement from the mid-1980s, combining the chiming folk rock of the 1960s with a psychedelic bent and a bit of punk attitude. The Long Ryders developed a cult following, becoming college radio favorite. This presentation finds frontman Sid Griffin and his band performing at the Roxy in Los Angeles in February of 1986.
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Billy Idol: State Line
2023 · ★ 8.7
Join legendary punk icon Billy Idol as he makes history by playing the first ever live concert in front of the world famous Hoover Dam.
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Buenos Aires Hardcore Punk
2009
Documentary about the Argentine punk and hardcore scene, from the early 80s to the mid-2000s. It includes interviews with various people in the environment, both musicians, producers and journalists, as well as archive material.
More info →Una identidad en absurdo Vol. 1
2011
Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.
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The Scene
2005
What is "la escena" (the scene) and what is its importance, if any? Guillermo Gómez Álvarez tries to answer these questions with candid interviews from musicians and fans of the vibrant and, many times controversial, punk music scene in Puerto Rico. The decadence, rage, drugs, alcohol, politics, and social aspects are showcased in this documentary that tells an important part of the history of the great dysfunctional family that is "el punk boricua".
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This Is Canoas Not POA
2021 · ★ 9
Canoas is considered by many, especially by those who are not from there, as a commuter town. Cities from metropolitan areas are usually labeled like this because of the workforce that commutes out everyday to work in the capital. In this daily movement, many times, ideas are conceived and creativity flourishes. I believe that this is one of the reasons why those cities often have a lively cultural scene. The documentary "This is Canoas not POA" makes this very clear: Canoas has a lot to show in terms of a music scene that's independent, diverse, creative, and most important, united. Bands, night clubs, studios, producers, record shops. Everything a music scene needs to develop is very well documented here. Watch it and create your own scene, start your own band!
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Sum 41: Don't Try This at Home
2011
The making-of documentary of the fifth studio album by Canadian punk band Sum 41, "Screaming Bloody Murder".
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2013
A documentary about punk and subculture scene of Pula, Croatia from 1978 to 1991, the city that gave birth to one of the most vivid punk and alternative rock scenes in former Yugoslavia, despite having population of just over 60,000 residents.
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