
Beat Generation
β 9.2 Β· 2014 Β· 55m Β· Documentary
Tells the story of the wonderful and long-lasting friendship between Jack Kerouac, Allen Ginsberg and William Burroughs that gave birth to the Beat Generation movement.
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Manson's Missing Victims
2008 Β· β 5.3
It is almost universally believed by those who were involved with, or who have studied, the Manson murders that there are far more victims still out there. This documentary looks for some of their graves.
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American Hardcore
2006 Β· β 6.9
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
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Punk Rock Lottery
2025
Directed by Jacob Miguel, "PUNK ROCK LOTTERY" embarks on a mission to capture the rapid growth of an annual event known as "The Punk Rock Lottery" in Austin, Texas. What sets this film apart is its self-awareness, playfully breaking the fourth wall and transforming into an immersive journey through history and the creative process. The narrative builds its foundation by featuring insights from punk legends and influential figures who helped shape both the film and Austin itself. As the story unfolds, it delves into the heart of the project as Jacob actively participates in the event, offering an inside look at the frenetic pace of life in a band. Through the experiences of over 30 characters, the film uncovers universal truths about creativity, camaraderie, and the struggles inherent in pursuing one's artistic passion.
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Free Space
2024
Under pressure from activist groups, art is increasingly being cancelled for ideological reasons, because of 'cultural appropriation' or because of the desire for a 'safe space'. The colour and gender of the artist seem to be all-determining in this. How do you relate to this as an artist? Is this a disturbing development or a sign of emancipation? And what does it mean for freedom of expression? Director Karin Junger investigates this with Anne-Fay Kops, Ted van Lieshout, Angel-Rose Oedit DoebΓ©, Raymi Sambo, Boris van Berkum, Marian Markelo, Stephan Sanders and Thomas Chatterton Williams.
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Jack Kerouac: King of the Beats
1985 Β· β 6.5
Jack Kerouac's life is examined through interviews with his contemporaries and friends including Allen Ginsberg, Lawrence Ferlinghetti and William S. Burroughs. The film also employs dramatic recreations of Kerouac's life beginning with his early childhood.
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Thomas Hart Benton
1989 Β· β 7.8
Thomas Hart Benton's paintings were energetic and uncompromising. Today his works are in museums, but Benton hung them in saloons for ordinary people to appreciate.
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Goose Lake International Music Festival
1970 Β· β 8
The Goose Lake International Music Festival held August 7β9, 1970 in Leoni Township, Michigan, "was one of the largest music events of its era", and featured many of the top rock music bands of the period. Songs performed include: Savage Grace - All Along The Watchtower, John Sebastian - Darling Be Home Soon, Harmonica Solo - Teegarden & Van Winkle, Ten Years After - Sweet Little Sixteen, The Stooges - 1970, Mountain - Ain't Got A Dime Jam, Mississippi Queen.
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Portraits of Mosquito Press
2015
The documentary about the history and struggle for Press Freedom of Mosquito Press during the dark days of Marcos dictatorship.
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The Carnival
2021 Β· β 3.5
Since they were children, every summer they used to participate together in the traditional carnivals of their hometown. This magical celebration, transform men of the community into dionysiac figures with makeup, coloured costumes, glitter and feathers. Alcohol, friendship and parties out of control become the limelight. Boundaries get blurred with the heat of the sun at the edge of the imposing ParanΓ‘ River.
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The Ruins
2021
A drawing of an ancient bathhouse in a French travel book to the Middle East sparks a visual poem, inspired by the Arab poetry tradition of "standing by the ruins". The ambivalence of the five-hundred-year-old image gestures towards enduring capitalist and colonial power dynamics. Pleasure and pain, seduction and domination, archives and ruins, histories of sex, and histories of empire, all commingle in this essay film. What transpires is a web of visible and invisible threads where homosexuality in the Middle East today seems to be enmeshe
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