The Climax
★ 5.5 · 1944 · 86m · Music · Horror · Thriller
Dr. Hohner, theatre physician at the Vienna Royal Theatre, murders his mistress, the star soprano when his jealousy drives him to the point of mad obsession. Ten years later, another young singer reminds Hohner of the late diva and his old mania kicks in. Hohner wants to prevent her from singing for anyone but him, even if it means silencing her forever.
More Like This
Andrea Chenier
1981 · ★ 7.5
Although Domingo was younger and Banackova looked more like the sweet and innocent young Madalena than the one played by Tomowa-Sintow in the ROH production, this production was not as good. It was not as tight and neat. The tempo set was far too slow for the time-period of the story. The stage setting was distracting. The lighting was too dark. Except Domingo, a natural actor who was always into his role and sings and acts with passion, none of the other performers came up with a convincing portrayal of the role he/she played.
More info →
After Darkness
1985 · ★ 4.8
To salve his guilty conscience an elder brother removes his disturbed younger sibling from a mental institution after a suicide attempt and tries to bring him back to mental competency through one on one contact. Free of the institution he continues to be haunted by dreams of a lost twin and chants the eerie phrase "Do I stand before the king?" It is the elder brother that seems doomed to lose himself in his brother's insanity.
More info →
Altitude
2017 · ★ 4.9
A female FBI agent is offered millions to help a thief escape from a hijacked airplane.
More info →
A Cossack Beyond the Danube
1953 · ★ 7
A Ukrainian comic opera with spoken dialogue in three acts with music and libretto by the composer Semen Hulak-Artemovsky (1813–1873). The orchestration has subsequently been rewritten by composers such as Reinhold Glière and Heorhiy Maiboroda. This is one of the best-known Ukrainian comic operas depicting national themes.
More info →
Cossacks Beyond the Danube
1937 · ★ 9
Adapted from the opera written by the composer Semen Hulak-Artemovsky.
More info →
We Own the Night
2007 · ★ 6.7
A New York nightclub manager tries to save his brother and father from Russian mafia hitmen.
More info →
The Anchor
2022 · ★ 6
A mysterious informant calls a broadcast news anchor to request that the anchor report on the informant’s inevitable death.
More info →
Desert Saints
2002 · ★ 5.8
Banks is a hit man, the best, usually working for Latin American drug cartels. He picks up solitary women, uses them briefly for a job, then kills them. He's in the Southwest, headed toward Mexico, when he picks up Bennie, a woman leaving an abusive marriage, going to Paradise, Arizona. The film follows three tracks: Banks's slow recruitment of Bennie, the set-up for the hit at a swank resort in Mexico, and the FBI's close pursuit of Banks, whom they want alive in hopes he'll rat out his bosses. Bennie may not be who she seems, and there may be a chink in Banks's tough-guy armor. Guns, money, and a chance at Paradise.
More info →
Viva Las Vegas
1964 · ★ 6.1
Lucky Jackson arrives in Las Vegas with his car literally in tow ready for the first Grand Prix — once he has the money for an engine. He gets the cash easily enough but mislays it when the pretty pool manageress takes his mind off things. It seems he'll lose both race and girl, problems complicated by rivalry from womanizing fellow racer Elmo Mancini.
More info →
The Bricklayers
1976 · ★ 6.6
When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.
More info →