My Friend Ángel
★ 9.5 · 1964 · 32m · Drama
An experimental and critical view on the decadence of Honduran society. It practically has no narrative structure, as it plays out as a day-in-the-life-of the eponymous Ángel, a kid who's a shoe-shiner.
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We Own the Night
2007 · ★ 6.7
A New York nightclub manager tries to save his brother and father from Russian mafia hitmen.
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2:37
2006 · ★ 6.6
A contemporary, ensemble drama that tells the complex tale of six high school students whose lives are interwoven with situations that so many of today's youth are faced with. The story takes place during a normal school day. At precisely 2:37 a tragedy will occur, affecting the lives of a group of students and their teachers.
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The Migrants
1974 · ★ 6.1
A look at the lives of migratory farm workers, focusing on one family.
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The Bricklayers
1976 · ★ 6.6
When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.
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The Widowhood of Karolina Žašler
1976 · ★ 5.6
As she tries to cope with the changes in Yugoslav rural life brought about by increasing modernization, the Widow Karolina wishes she had become a mother. As difficult as things are for her, they are nonetheless much more difficult for her more-conservative and less-thoughtful neighbors.
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Rubber Duckie
2012 · ★ 6
Rubber Duckie is the story of Jesse and Daniel, who on a blazing summer afternoon, are consumed with boredom and push their own limits and boundaries. This leaves us begging the question; is it simple boredom or insatiable innate appetite for more?
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The Illiac Passion
1967 · ★ 4.3
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
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The Elephant Man
1980 · ★ 8.1
A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.
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The Gift
2000 · ★ 6.5
Annie Wilson, young widow and mother of three, makes her living foretelling others' futures—though her own has become cloudier than even she can see. Threatened by a client's violent husband and plagued by visions of a missing local woman, Annie finds herself pulled into a thicket of lies and deception in which her extraordinary gift may ultimately get her killed.
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Cop Land
1997 · ★ 6.8
Freddy Heflin is the sheriff of a place everyone calls “Cop Land” — a small and seemingly peaceful town populated by the big city police officers he’s long admired. Yet something ugly is taking place behind the town’s peaceful facade. And when Freddy uncovers a massive, deadly conspiracy among these local residents, he is forced to take action and make a dangerous choice between protecting his idols and upholding the law.
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Breakdown
1997 · ★ 6.9
On their cross-country drive, a married couple, Jeff and Amy Taylor, experience car trouble after their SUV breaks down. Stranded in the New Mexico desert, the two catch a break when a passing truck driver offers Amy a ride to a nearby café to call for help. Meanwhile, Jeff is able to fix the car and make his way to the café, but Amy isn't there. He tracks down the trucker ― who tells the police he's never seen Jeff or his wife before. Jeff then begins a desperate, frenzied search for Amy.
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Payback
1999 · ★ 6.8
With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead -- or so they think. Five months and an endless reservoir of bitterness later, Porter's partners and the crooked cops on his tail learn how bad payback can be.
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