
Hiding Under a Copy of the Strokes' Single 'Under Cover of Darkness'
β 10 Β· 2017 Β· 2m Β· Music Β· Western
Hiding inside&out, writhing about, taken out&in.
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welcome_home.exe
2021 Β· β 10
As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.
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Out of the Law
2017 Β· β 5.5
Beyond all human restraint lies one's lugubrious layers of paint.
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2005 Β· β 6
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghostβs laugh, as a shadow on the road.
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Aridity Enclosure 1
2017 Β· β 10
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
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38/79: Sentimental Punk
1979 Β· β 3.8
'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'
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Disparate, Shifty Fate
2017 Β· β 5.5
Wax and wane until there is naught but boring pain.
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Finds Itself in Corners
2017 Β· β 5.5
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
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Brutalism
2019
Beneath towering Brutalist architecture, a man is driven to do what must be done.
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Frozen Jumper
2021
"Frozen Jumper" begins in hit-and-run style with a pulsating textural noise. Flickering, nearly rectangular patterns join on the image plane, at first in black-and-white, bringing to mind the sprocket holes in celluloid film and, not least due to the lack of geometric precision, giving the impression of a pre-digital origin. As the soundtrack rattles on in a minimalistic way, the patternβs twitchy dance is submerged in various warm hues such as yellow, pink, light green and light blue, which in a different rhythm and to a more agreeable music could be perceived as the signature of slightly retro psychedelia.
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Superstar: The Karen Carpenter Story
1987 Β· β 7
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
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