Almost Anything
★ 6.5 · 2017 · 2m · Music
Centrist revelations abound among repetitions & revisitings.
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1979 · ★ 3.8
'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'
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Finds Itself in Corners
2017 · ★ 5.5
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
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The Getty Address
2007
James Sumner directs and animates the entire Dirty Projectors’ The Getty Address.
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2006
A film in five different sections, each containing a different soundscape by Ostrowski. Hand painted film, intense exposure, morphing textures and shapes into a seamless whole; geometrical games sabotaging themselves; and the incessant lure of the abstract paint drift. The soundscapes, of course, build up like fountains of picture, oscillating between contemplative sculptures with electronically manipulated strings and harsh noise attacks on our senses. Despite the use of sound as a central filmic element, Cyanonide stands as a proof of the enduring influence of Brakhage on american avant-film.
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welcome_home.exe
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As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.
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Untitled #1
2005 · ★ 6
A young girl’s fiery dance, accidentally caught on 16 mm film in the street. The viewer is confronted by the sacrificial and the passionate, the strong and the fragile, the fleeting and the eternal. These are the faces of femininity.
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The Extinct Suite
2017 · ★ 8
An animated film made from approximately 1700 laser printed photo(collage)s, manipulated by hand.
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Kinda Cool to Expend This Much Drool
2017 · ★ 10
Don't ask me why, but I feel we're about to cry trying.
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Ruminative Meditations
2017 · ★ 10
Say Om as you reach home only to realize you never really left/stopped saying Om.
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Time Piece
1965 · ★ 7.1
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.
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