Nothing to Hide
★ 6.8 · 2017 · 86m · Documentary
NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the "I have nothing to hide" argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.
More Like This
This Land Is Our Land
2010
For more than three decades, transnational corporations have been busy buying up what used to be known as the commons -- everything from our forests and our oceans to our broadcast airwaves and our most important intellectual and cultural works. In This Land is Our Land, acclaimed author David Bollier, a leading figure in the global movement to reclaim the commons, bucks the rising tide of anti-government extremism and free market ideology to show how commercial interests are undermining our collective interests. Placing the commons squarely within the American tradition of community engagement and the free exchange of ideas and information, Bollier shows how a bold new international movement steeped in democratic principles is trying to reclaim our common wealth by modeling practical alternatives to the restrictive monopoly powers of corporate elites.
More info →
Railway Station
1980 · ★ 4.7
Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
More info →
Inside Chernobyl's Mega Tomb
2016 · ★ 7.5
Documentary which follows the construction of a trailblazing 36,000-tonne steel structure to entomb the ruins of the nuclear power plant destroyed in the 1986 Chernobyl disaster.
More info →
Princess Diana: The Mourning After
1998 · ★ 6.6
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
More info →
Tabloid Workers
2014 · ★ 2
This documentary study of the mechanisms that turn the gears of the tabloids is conducted by the unique figure Pavel Novotný. This editor-in-chief of one of the most widely read Czech media outlets of the time, providing news from the world of show business and human misfortune, gets straight to the point. Readership is a fetish, an absolute alibi for all invasions of privacy and every transgression of good ethics. Seen up close, the whole cluster of disreputable reports looks like a staged tableau. Before the eager eyes of an anxious public, celebrities willingly or unwillingly perform acts that the scrutiny of the all-powerful tabloid workers attributes racy significance to.
More info →
I’m Not a Slut, I’m a Journalist
2021 · ★ 7.9
More than twenty sports journalists – working mainly on television (BeIN Sports, RMC Sport, France Télévisions, Canal+, TF1) but not only (L'Équipe, Radio France) – testify to the anger, despondency and helplessness they felt when they had to endure the “Yucky jokes”, the « culture de boy’s club » and degrading insults on social networks, while at the same time the presence of women in these programs and in the press has increased. Without forgetting the misogynistic comments, the heaps of small sentences on the physique or the competence, the sexual innuendos… until the moral or sexual harassment.
More info →The Valley of the Jato
2013
In the heart of Sicily, where the Mafia still rules, one man and his family-run TV station, has become the lone voice against corruption and organized crime.
More info →
Sealab
2019
The Sealab project, launched in 1969 off the shore of northern California, was the brainchild of a country doctor turned naval pioneer who dreamed of pushing the limits of ocean exploration like NASA did space exploration. The massive, 300-ton tubular structure was a pressurized underwater habitat, complete with science labs and living quarters for divers who would live and work there on the ocean floor for days or even months at a time. During the height of the Space Race, this daring program also tested the limits of human endurance and revolutionized the way humans explore the ocean.
More info →
This is CEEFAX
1975
A look-behind-the-scenes at a television development that could be in everyone's home in just a few years' time. Reporter Angela Rippon tells the story of CEEFAX - the BBC's latest form of broadcasting. She visits Kingswood Warren where BBC Research Department 'boffins' developed it; and looks at some of its uses: News, weather, travel, sports results, farm prices and business information.
More info →
Koyaanisqatsi
1983 · ★ 7.9
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
More info →
Citizen Krone, Austria between the Lines
2002 · ★ 8.8
This film journeys deep into the heart of Austria’s favorite daily newspaper, the Kronen Zeitung, the most widely-read paper per capita in the world. The “Krone’s” 2.7 million readers represent 43% of the Austrian press market. A reflection of the Austrian soul, this newspaper serves as a prism through which we can understand the rise of the populist Right in this country and examine the dangerous flirtation between media and politics.
More info →