Dans la forêt de Borek
Documentary
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In Seán Martin's "Koan IV", an opening provocation suggests that the things we see continually hide the things we'd like to see. What we see after this is mist in a Scottish landscape. Martin's patient, enigmatic film contemplates a popular image of romance and intrigue attributed to a rural identity, alluding to what is hidden, what is real and what does not exist.
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Home is where we grow up or settle permanently. And this home is always shaped by nature. Today, we human beings change and shape this more than any law of nature. HEIMAT NATUR is a visually stunning journey through the nature of our homeland, from the peaks of the Alps to the coasts and the depths of the North and Baltic Seas. In between is a cinematic foray through steaming forests, shimmering moors, over rose-blossoming heaths and the colorful cultural landscape around our villages and towns. In extraordinary images this nature is shown from its most beautiful side, examining the state of the native habitats. Slow-motion and time-lapse photography as well as intimate shots of familiar and unfamiliar species, some filmed for the first time, making the film a cinematic nature experience for the whole family.
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A viral video shows a mysterious figure walking along the edge of the woods each day, and filmmaker Bill Howard sets out to spend a night there to find out exactly what it is.
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This film illustrates the struggles of Canadian prairies women to achieve a more just and humane society within the farm movement and at large. During the early 1900s, women on the prairies looked for ways to overcome their isolation. Out of the resulting farm women's organizations grew a group of women possessing remarkable intellectual abilities, social and cultural awareness, and advanced worldviews.
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A coming-of-age story about a filmmaker and his family as they struggle to adapt to both a changing world and a traditional one. Can the filmmaker's family accept that he is more interested choosing to document a famine that happened 50 years ago than choosing a wife? Will the family continue to farm their land and grow rice as they always have or sell it to developers? How can they adapt to life in modern China when the country itself is in the midst of identity crisis? The film explores these topics and more in a refreshingly original style that bridges the gap between documentary and narrative feature while providing a delightfully intimate portal into family life in modern China.
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