Bluebeard
★ 6.3 · 1901 · 10m · Drama · Horror · Fantasy
A young woman becomes the eighth wife of the wealthy Bluebeard, whose first seven wives have died under mysterious circumstances.
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1979 · ★ 10
Montéquio Cebolinha and Julieta Monicapuleto find themselves in a passionate love affair, but unfortunately, their families vehemently oppose their relationship. Amagali and Friar Lourenço Cascão, ever the allies, come to the aid of the young couple, determined to support them through the challenges. However, just when they thought things couldn't get more complicated, Prince Xaveco of Verona unexpectedly enters the picture, adding another layer of complexity to the already tangled situation.
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The Four Troublesome Heads
1898 · ★ 7.2
One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and throwing it in the air, it appears on the table opposite another head, and both detached heads sing in unison. The conjurer then removes it a third time. You then see all three of his heads, which are exact duplicates, upon the table at one time, while the conjurer again stands before the audience with his head perfectly intact, singing in unison with the three heads upon the table. He closes the picture by bowing himself from the stage.
More info →Shock Value: The Movie — How Dan O’Bannon and Some USC Outsiders Helped Invent Modern Horror
2014
Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.
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Sniffer
2006 · ★ 6
A man wakes on the ceiling of his bedroom and breaks a lamp to alert his wife to his predicament. She puts on her heavy boots, unstraps herself out of her bed and uses a hook on a pole to drag him back down. The next day he goes to his job where he works as a deodorant tester, sniffing the armpits of exercising test subjects. On this day though, he faces an event that will change his life forever.
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The King of Kings
1927 · ★ 6.4
The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.
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Mr. Dentonn
2014 · ★ 6.5
On a cold winter night, Laura reads her brother David the story of a strange creature that attacks children. Suddenly, a shiver runs Laura's body, feeling a strange presence in the house. It's him.
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A Corner in Wheat
1909 · ★ 6.2
On a whim, a greedy tycoon decides to corner the world market in wheat. This doubles the price of bread, forcing grain producers into charity lines and others further into poverty. The film contrasts the differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit.
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The Diabolic Tenant
1909 · ★ 6.8
A man rents an apartment and furnishes it in remarkable fashion.
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The Mysterious Retort
1906 · ★ 5.7
A wizard sleeps at a table in his well-appointed sitting room. From a drawer in the table, a snake appears.
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The Eclipse: Courtship of the Sun and Moon
1907 · ★ 6
In this film, Méliès concocts a combination fairy- and morality tale about the foolishness of trying to look too deeply into the workings of an unstable and inscrutable universe. At a medieval school, an old astronomer begins to teach a class of young men, all armed with telescopes, about the art of scrutinising an imminent eclipse. When a mechanical clock strikes twelve, all the young men rush to the windows and fix their telescopes on the heavens.
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The Man with the Rubber Head
1901 · ★ 7.1
A chemist carries out a bizarre experiment with his own head.
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