Nothing Like a Dame
★ 6.8 · 2018 · 80m · Documentary
BBC Arena's documentary on the Dames of British Theatre and film featuring Maggie Smith, Eileen Atkins, Judi Dench and Joan Plowright on screen together for the first time as they reminisce over a long summer weekend in a house Joan once shared with Sir Laurence Olivier.
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100 Girls by Bunny Yeager
1999 · ★ 8
Bunny Yeager, 'The world's prettiest photographer', started out as a beauty contest winner and professional photographer's model in the 50's. She became one of America's top ten glamour photographers during the 50's and 60's. This pictorial shows 100 of her most glamorous models, featuring Bettie Page, and includes photographs and original footage of Bunny with the girls behind the scenes.
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Faces Places
2017 · ★ 7.6
Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.
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Un été à la Garoupe
2020 · ★ 8
La Garoupe, a beach in Antibes, in 1937. For one summer, the painter and photographer Man Ray films his friends Pablo Picasso, Dora Maar, Paul Eluard and his wife Nusch, as well as Lee Miller. During these few weeks, love, friendship, poetry, photography and painting are still mixed in the carefree and the creativity specific to the artistic movements of the interwar period.
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The Ring Thing
2017 · ★ 3.8
When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.
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Essay on color and its absence
2022
An experiment and a dialogue about recording, the act of filming and the colors available to whoever points the camera somewhere.
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It Conquered Hollywood! The Story of American International Pictures
2001 · ★ 7.4
A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.
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