Reflections I
2016 · 3m · Documentary
A meditation on light and water; landscape as self-portraiture.
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2001
Rummaging for Pasts is an experimental juxtaposition of two cinematic documents: the video diary of an international archaeological excavation and a collection of assorted eight millimeter found footage of Indian weddings.
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1985 · ★ 7
One film projected two times with a difference of a couple of seconds.
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Taris
1931 · ★ 6.3
Short documentary directed by Jean Vigo about the French swimmer Jean Taris. The film is notable for the many innovative techniques that Vigo uses, including close ups and freeze frames of the swimmer's body.
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Fresno
2014 · ★ 6
A film of and through the trees. Leaves catch, consume and resist the light through the seasons.
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A Night of Soap Water
2021
A watchman at an apartment complex in Assam, India, spends an ordinary evening. A surreal, expressionistic landscape unfolds.
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Devil's Circuit
1988 · ★ 6
A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.
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December Hide-and-Go-Seek
1993 · ★ 5.6
"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito
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A Messenger from the Shadows (Notes on Film 06 A/Monologue 01)
2013
Thanks to his myriad film roles, Lon Chaney is known as “the man of a thousand faces,” and you could say that the early horror era never beheld a figure more intriguing. Yet because of his numerous transformations, his face never became as iconic as that of, say, Boris Karloff. Accompanied by a soundtrack from Bernhard Lang, this “re-imagination of shots” taken from Chaney´s forty-six surviving films offers a beguiling excursion into the history of film. The director reveals surprising associations, while highlighting the enduring magic of works which are now more or less forgotten.
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Like a Dream that Vanishes
1999 · ★ 5.3
"Like a Dream That Vanishes" continues Sternberg’s work in film both thematically and formally: the ephemerality of life echoed in the temporal nature of film, as the stuff of life echoed on the energy, life-force in rhythmic light pulses (Your life is like a candle burning). Imageless emulsion is inter-cut with brief shots of natural elements and mise-en-scene of the stages of human life: a little boy runs and falls; teens hang out together at night smoking; sun shines through tree branches; men pace, waiting; flashes of lightning; an elderly man speaks philosophically about miracles.
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Max Ernst: Journey into the Subconscious
1964 · ★ 6
The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.
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VISIONS_OF_NY
2019
Experimental short film exploring New York City's multicultural history through the eyes of three chosen individuals.
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Life in Four Elements
2017 · ★ 5
A journey into four classical elements through the four main characters of the film. The main characters in the movie represent each of their own elements.
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