The Power of the Dog
★ 6.7 · 2021 · 127m · Drama · Western
A domineering but charismatic rancher wages a war of intimidation on his brother's new wife and her teen son, until long-hidden secrets come to light.
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1964 · ★ 7.2
After her mother runs away from home, Tomoko is raised to be a geisha. One day Tomoko meets her mother in a red-light district in Tokyo and her life deeply gets in trouble.
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The Bishop's Wife
1947 · ★ 7.1
An Episcopal Bishop, Henry Brougham, has been working for months on the plans for an elaborate new cathedral which he hopes will be paid for primarily by a wealthy, stubborn widow. He is losing sight of his family and of why he became a churchman in the first place. Enter Dudley, an angel sent to help him. Dudley does help everyone he meets, but not necessarily in the way they would have preferred. With the exception of Henry, everyone loves him, but Henry begins to believe that Dudley is there to replace him, both at work and in his family's affections, as Christmas approaches.
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A Love to Hide
2005 · ★ 7.2
A young Jewish girl, Sara, is looking to escape the clutches of the Third Reich after seeing her parents and sister brutally slain by a smuggler who betrayed them while attempting to escape to England. Terrified, she is sheltered by her childhood friend Jean, a homosexual in a clandestine relationship with his lover Philippe.
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IDENTITEAZE
2024 · ★ 8.3
Two strangers wake up in a mysterious white room with no way out or memory of their past. The two must unravel their identity while navigating a corporate metaverse that controls virtually every aspect of its employees’ online reality. A story about finding yourself.
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The Hedgehog
2009 · ★ 7.2
Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.
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Bent
1997 · ★ 6.9
Max is a handsome young man who, after a fateful tryst with a German soldier, is forced to run for his life. Eventually Max is placed in a concentration camp where he pretends to be Jewish because in the eyes of the Nazis, gays are the lowest form of human being. But it takes a relationship with an openly gay prisoner to teach Max that without the love of another, life is not worth living.
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Ciao
2008 · ★ 5.8
A man learns that his late friend had a secret online lover who is on the way from Italy.
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Barefoot at Dawn
2017 · ★ 6.8
February 1927: Félix Leclerc's last year with his family before attending a private college in the fall. Accompanied by Fidor, his faithful friend, he will face adversity, love, death, and will embark on the path of adulthood.
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Mr. Holmes
2015 · ★ 6.5
In 1947, long-retired and near the end of his life, Sherlock Holmes grapples with an unreliable memory and must rely on his housekeeper's son as he revisits the still-unsolved case that led to his retirement.
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The Summer I Turned 15
1976 · ★ 5.5
The story Peter is telling the about a special summer, when he is invited over to summer holiday from bickering parents, to his aunt and uncle in the country. He's been there before, but this summer was quite one to remember.
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Phyllis
2011
Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.
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2001 · ★ 9
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