Mother, I Need You
1918 · 50m · Drama
A young woman who became pregnant from an assault faces legal trouble and scandal after having an abortion.
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When Artists Love
1915
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Brain Sex
1988 · ★ 5.2
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The Virgin Spring
1960 · ★ 7.9
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Jackie is a CCTV operator. One day, a man shows his face on her monitor, a man she hoped never to see again. Now she has no choice and is compelled to confront him.
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Detective Craig's Coup
1914 · ★ 7
On the trail of counterfeiters Detective Craig is on their trail. Suspicion falls on James Dalton who passes bad money through unsuspecting "fences." Dalton plants bad bills on young Bob Brierly and when it is detected Dalton, as usual, escapes while the innocent Bob is caught and convicted. Upon his release Bob meets Mae Edwards who gets him a job in her bank. When Dalton comes to the bank to case it for a robbery he runs into Bob and tries to recruit him as an accomplice. Bob, who has married Mae, refuses. Dalton causes him to lose his position and because of Dalton’s persistent efforts forces Bob to join the crook. Craig, shadowing Dalton, knows Bob is taking part against his will. Craig foils the robbery and after a motorboat chase Dalton is captured and exonerates Bob.
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Daybreak
1918 · ★ 9
Edith Frome (Stevens) finds it impossible to live with her alcoholic husband Arthur (L ‘Estrange), and finally leaves him. After three years she returns but leaves each evening, returning late arousing the suspicion of her husband. Having her followed he soon learns that she visits a child. Suspecting the worst because of her friendship with Dr. David Brett (Phillips), he institutes divorce proceedings. Edith confesses the truth about the child and Arthur, realizing his folly, swears off liquor and they are reunited.
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Flapper Wives
1924 · ★ 8
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Frauenarzt Dr. Schäfer
1928 · ★ 6
The respected gynecologist Prof. Hausen is averse to performing abortions. In contrast, his up-and-coming colleague Dr. Schäfer sees abortion as a means of helping women in need and openly advocates an amendment of the law. The professor’s convictions are shaken when misfortune befalls his own family. Louise Fleck presents her drama about the untimeliness of restrictive abortion legislation against the backdrop of modern urban reality. Seriousness, however, is preserved, because topics such as unwanted pregnancy, sexual violence, and the consequences of improperly performed abortions are not only addressed through minor characters, but also placed at the center of the cinematic narrative. (Anna Dobringer)
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