Mud
★ 5 · 2019 · 10m · Drama
The film is about the moral contradictions between a victim dog seen as an outsider and a member of household who ruins the dog's house, and all the households are involved in this case.
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1957 · ★ 8.1
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2008 · ★ 6.6
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1964 · ★ 7.2
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2002 · ★ 7.5
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.
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Serious as Pleasure
1975 · ★ 3.9
Two men and a woman live quite happily together in a romantic liaison. The woman is probably wealthy anyway, so the trio doesn't worry much about money. One day they decide to take a trip in their beat-up car, managing the whole affair in their own special, insouciant manner. They are followed by a suspicious policeman who thinks there's something fishy about this group.
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Kontroll
2003 · ★ 7.2
A subway enforcement officer working in the oppressively gray Budapest metro gets a chance at love — but first he needs to find out why passengers are jumping — or being pushed — to their deaths onto the tracks.
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Secrets of a Soul
2012 · ★ 9.1
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Dog
2003 · ★ 3
Mix of arthouse, comedy, horror. A man who has committed numerous crimes rescues a dog. An unique experimental movie in which a dog who died in a traffic accident after being tossed around by humans is reborn as a heretic and attempts revenge on humans. Under the guidance of the devil, he is reborn as a scarecrow to bring the Blood Festival. A 35mm independent film by the director who loves to make movies, but is not interested in professional film directors. The director who was shocked to see a picture of a dog abused and abandoned by humans, devoted his passion to this unique work that took seven years to complete.
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8½
1963 · ★ 8.1
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
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