Une certaine histoire du cinéma expérimental français

Daumë

2000 · ★ 5.7

Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.

Terra Incognita

2002 · ★ 5.8

Terra Incognita is a lensless film whose cloudy pinhole images create a memory of history. Ancient and modern explorer texts of Easter Island are garbled together by a computer narrator, resulting in a forever repeating narrative of discovery, colonialism, loss and departure.

The Red and the Blue Gods

2005 · ★ 4

An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.

Ich lebe in der Gegenwart - Versuch über Hans Richter

1973 · ★ 7

No synopsis available.

The 11th Hour

2007 · ★ 6.8

A look at the state of the global environment including visionary and practical solutions for restoring the planet's ecosystems. Featuring ongoing dialogues of experts from all over the world, including former Soviet Prime Minister Mikhail Gorbachev, renowned scientist Stephen Hawking, former head of the CIA R. James Woolse

Depositions

2014

The quietly insistent and critical DEPOSITIONS attempts to restore some dignity to images of the communities of the Scottish highlands taken from patronizing BBC documentaries and news features from the 70’s and 80’s. DEPOSITIONS repurposes footage from the archives of the BBC and sound from the School of Scottish Studies, it is a film about differences and dichotomies: science and superstition, near and far, community and the individual.

Tenement Films

2009

A series of portraits, made for Television, of four diverse individuals brought together through shared residence. These short films were filmed in the tenement where I lived for eight years. The first is shot in our bedroom, which doubled up as my former partner's office, the three others were shot in architecturally identitical spaces owned by my then neighbours. Shot and edited on a single 16mm bolex camera using available light throughout, the films invoke reflections on the four individuals, how they occupy these particular spaces together.

La casa del Carnaval

Trans and queer communities shaped carnival traditions in the Canary Islands, exploring their historical role in developing costumes, performances, and celebrations that define the region's festive identity.

Corée du Sud, de la K-pop au bouddhisme

2022 · ★ 8.5

No synopsis available.

My Sextortion Diary

2024 · ★ 10

Pati, a young film producer, is fighting to carve out a professional career in the film industry. It is May 2019 when her laptop is stolen during a business trip in Madrid. Two months after, an anonymous Hacker accesses all the stored data in the stolen device and finds three very private photos of Pati. He threatens that if he doesn’t receive $2,400 he will mass-mail the pictures to all her work contacts in order to ruin her professional reputation. The shame, anger and distress caused by the ineffectiveness of the legal forces lead Pati to set out on her own investigation to stop the Hacker and regain control and power over her privacy.

The Language of Trees

1983 · ★ 8

An exploration on Paz's poetry by Paz himself, his childhood, his ideas about love and the nature of art

Pyramid

2014 · ★ 6

Pyramid is a single screen work on Abraham Maslow's theory on the hierarchy of human needs filmed through the rhythms and choreography of middle class South England. Filmed in color and b&w on 16mm film, it continues Salmon's interest in the performance of the artist/cinematographer within both spontaneous and constructed situations and incorporates methods developed by various movements within documentary and avant-garde history. Using an array of sounds, music and conversation as well as silence, Salmon constructs an abstract documentary which both develops and challenges the themes presented in Maslow's theory as well as her own interest in human iconography, stereotype and domestic rhythm. The image of Maslow's pyramid and his pragmatic dissection of human needs and possible motivations provide a system of organization for the family and a philosophical framework for the video.