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Bus 174
2002 · ★ 7.4
On 12 June 2000, in Rio de Janeiro, Ônibus 174 was taken by an armed young man, threatening to kill all the passengers. Transmitted live on all national networks, this shocking and tragic event became one of violence's most shocking portraits, and one of the most terrifying examples of police incompetence and abuse in recent years.
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The Magnet City
2012
The film shows the lives of four foreign musicians from different backgrounds and musical genres that after visiting the City of Rio de Janeiro, ended up falling in love with the city, choosing it to live in and becoming typical cariocas.
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A Farra do Circo
2013 · ★ 9
This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.
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Oswaldo Cruz
1973
The film documents the old Rio de Janeiro and its great focus of diseases. Stresses the decisive importance of Oswaldo Cruz who creates Experimental Medicine in Brazil, believing that without sanitation, no undertaking could succeed. Rodrigues Alves then started the urbanization of Rio, against great interests.
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Tradição e Herança Ancestral - A história dos Mestres de Folias de Reis de Nova Iguaçu
2024
No synopsis available.
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Memória em Verde e Rosa
2016 · ★ 5.9
The Mangueira slum is the scenario where Tantinho and the old samba composers remember stories about the slums and samba.
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Rap de Saia
2004
Rap de Saia is a documentary that reports, through the voices and rhymes of the protagonists themselves, part of the historical trajectory of Female Rap in the State of Rio de Janeiro. In addition to its historical trajectory, Rap de Saia brings a collection of themes that leads us to reflect on women in today's society.
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Rush in Rio
2003 · ★ 8.3
Legendary rock band Rush plays the Maracana Stadium in Rio de Janeiro, Brazil, on the final night of the band's 2002 Vapor Trails tour, in front of 40,000 fans.
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Rio by Them
2017
An unprecedented collection of pictures, characters and historical facts about the city of Rio de Janeiro, rescued by tv networks, documentary filmmakers and foreign journalists over the course of the 20th Century. The film reveals how Rio, its inhabitants and its cultural and natural attributes have been seen by foreigners. This is an opportunity to relive, through the eyes of a foreigner, social, political, technological and mundane events which Brazilians either did not manage to document audiovisually or whose works were lost.
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