Colonial Times
1976 · 28m · Documentary
Three centuries of Venezuela's history as a Spanish colony are considered from economic, political and social standpoints; evocations of the past are compared to the present. Based on the ideas and research of Federico Brito Figueroa, Alfredo A. Alfonso, Miguel A. Saignes, Josefina Jordan, and Thaelman Urgelles among others.
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In the Shadow of the Serengeti
A Maasai human rights lawyer fights to stop the evictions of his people from their homelands in Tanzania. On the outskirts of Serengeti National Park in East Africa, Maasai face eviction from their land to make way for international tourism and hunting grounds. Human rights lawyer Joseph Oleshangay campaigns for his community to remain on its homeland as it has done for generations. While he represents Maasai communities in court, Joseph also remains close to his traditions among the cattle at his rural home near the Ngorongoro Crater. Risking his life to gather evidence from recently depopulated villages, Joseph battles in court where he leads the fight to resist the evictions.
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Etiopia 1936: alla conquista dell'impero
2004
By means of a chronological arrangement of historical video material from the Istituto Luce archives, it tells the story of Fascist Italy's ambitions in Africa and the role they played in shaping fascist ideology and the stance of the fascist regime in the Western world at the height of the age of colonialism and aggressive European expansionism.
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The Happy Island
1958
The Happy Island looks at the work of the London Missionary Society on Gemo (now Hanudamua) Island in Port Moresby harbour, Papua New Guinea, which from 1937-1974 treated people who suffered from infectious diseases, mainly leprosy and tuberculosis. The film offers insight into the attitudes and practices of Christian missionaries of that time. Despite the colonial paternalism that underpins the Missionary Society’s model of care, the film tells the story of a happy, active community, as it follows the lives of the patients, their families and the dedicated staff, all of whom live, work and socialise on the island together.
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A Propos D'Un Crime
1967 · ★ 10
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
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Sisters
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“Sisters” is a deeply personal story about my journey back to my home country of Venezuela to investigate the possibility of a long lost sister.
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Trump's America - Power, Change, Resistance
2026 · ★ 7
With his ultra-conservative policies, US President Donald Trump is disrupting the global order as well as US institutions and society. Filmed less than one year after the start of his second mandate, this documentary analyses the concrete impact of his policies on the American people.
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Woher kommst du eigentlich? Schwarze in Deutschland
2021
Prejudices, ignorance, and racism still leave their mark on the everyday life of black Germans, respectively Europeans, until today. How do Afro-Germans deal with their history? Which colonial-racist patterns still shape our society today? With insights into various historic epochs, it is made clear that THE history of the Black people does not exist. And neither exists THE history of white people.
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Carving Thy Faith
2018 · ★ 10
A five-year visual ethnography of traditional yet practical orchestration of Semana Santa in a small town where religious woodcarving is the livelihood. An experiential film on neocolonial Philippines’ interpretation of Saints and Gods through many forms of rituals and iconographies, exposing wood as raw material that undergoes production processes before becoming a spiritual object of devotion. - A sculpture believed to have been imported in town during Spanish colonial conquest, locally known as Mahal na Señor Sepulcro, is celebrating its 500 years. Meanwhile, composed of non-actors, Senakulo re-enacts the sufferings and death of Jesus. As the local community yearly unites to commemorate the Passion of Christ, a laborious journey unfolds following local craftsmen in transforming blocks of wood into a larger than life Jesus crucified on a 12-ft cross.
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Leader-Sheep
2011 · ★ 7.1
Marizette, Christiane, Pierre, Léon, José... are some of the actors, funny and moving, of an incredible struggle, that of the peasants of Larzac against the State, confrontation of the weak against the strong, which united them in a merciless fight to save their lands. A determined and joyful fight, but sometimes also trying and perilous. It all began in 1971, when the government, through its Defense Minister Michel Debré, declared that the Larzac military camp must expand. Radical, the anger spreads like wildfire, the peasants mobilize and sign an oath: they will never give up their land. In the daily face to face with the army and the police, they will deploy treasures of imagination to make their voices heard. Soon hundreds of Larzac committees will be born throughout France... Ten years of resistance, collective intelligence and solidarity, which will carry them to victory.
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Albert Schweitzer
1957 · ★ 6.5
This biographical docudrama traces the life of Dr. Albert Schweitzer, from his birth in Alsace, up to the age of 30 when he made the decision to go to French Equatorial Africa and build his jungle hospital. The latter half of the film encompasses a full day in the hospital-village, following the octogenarian Samaritan in his daily rounds.
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