The Copper Queen
2021 · 113m · Horror · Music · History · Drama · Romance · Western
Still healing from her grandmother’s death, Addison Moore finds herself checking into The Copper Queen Hotel in Bisbee, Arizona. Aware of the ghost stories and hauntings, Addison fearlessly elects to stay in Room 315, the location of the heartbroken Julia Lowell’s death a century ago.
More Like This
Or We Die Trying
2022 · ★ 10
Three high schoolers investigate the disappearance of a fellow student, Aubrey. She was last seen entering the abandoned back hallways of their school, Asher Academies. There is a legend that the founder of the school, Asher Neal, died in the back halls and now his ghost haunts that half of the school, but no one believes that. However, as the team continues to investigate Aubrey's disappearance, the presence of a ghost seems more and more real.
More info →
Welcome to Arrow Beach
1974 · ★ 5.2
A hippie girl wandering on a California beach is taken in by a Korean War veteran who lives in a nearby mansion with his sister. The girl soon begins to suspect that the mansion is home to some very strange goings-on.
More info →
Don't Torture a Duckling
1972 · ★ 7.3
A reporter and a promiscuous young woman try to solve a series of child killings in a remote southern Italian town rife with superstition and a distrust of outsiders.
More info →
Lady in White
1988 · ★ 6.1
Locked in a school closet during Halloween 1962, young Frank witnesses the ghost of a young girl and the man who murdered her years ago.
More info →
Coming to Nothing
2025
Coming to Nothing follows a disgruntled young man trapped between guilt and survival, shaped by an alcoholic father and the unforgivable weight of abandoning his younger brother. Every attempt to cope—through love, indulgence, or isolation—only deepens the damage, turning connection into betrayal and self-protection into ruin. Whether he chooses responsibility or escape, the outcome is the same: loss. The film confronts the brutal truth that sometimes living through the wreckage hurts more than almost not living at all.
More info →Lia Has to Go Home
2025
After missing her flight to Mumbai, Lia connects with the weird seatmate from her flight, Ralph. They spend the remains of his honeymoon in Thailand confronting the big failings in their lives.
More info →
The Crooked Web
1955 · ★ 6
Following WWII, ex-G.I. Stan opened up a drive-in restaurant. His girlfriend, Joanie, is one of the car hops. They want to get married someday, but the less-than-stellar business the restaurant takes in puts a hold on that plan. One day, Joanie's ne’er-do-well brother Frank blows into town with a money-making scheme. She's against it, but Stan - an inveterate gambler - finds the promise of riches too seductive to resist…
More info →
The Ones Who Watch
2024
Recently released from the psych ward, Allen struggles to cope with his depression which leads him to strange occurrences that quickly spiral into a dire situation.
More info →
Jane
2022 · ★ 5.4
When Olivia gets deferred from her dream college, she begins to spiral. In an attempt to regain control, she embarks on a social media-fueled rampage against those that stand in the way of her success. But as things escalate, she is forced to confront her darkest impulses in order to get ahead.
More info →
Rossini: Guillaume Tell
2013 · ★ 6.5
The hero of this admirably complete August 2013 Guillaume Tell from Pesaro is homegrown maestro Michele Mariotti. The inimitable overture is (mercifully) unstaged and terrifically played, with splendid cello and flute solos: the fine standard never flags. Rossini’s extraordinary 1829 score audibly presages Meyerbeer, Berlioz, Glinka, Verdi and Wagner, among many others. Graham Vick’s direction privileges class conflict, with a clenched fist on the red-and-white forecurtain. The Edwardian costumes place Austrians in white evening garb; the black-clad Swiss polish the floor while the rulers savor a filming (much of that to follow) — the fisherman Ruodi, in a boat with a blonde and fake scenery, with Tell and his family providing tech support. Vick deploys geographical and historical kitsch liberally but not (always) pointlessly. Ron Howell’s pretentious, mannered choreography, however, beggars belief.
More info →
Faati Ne?
2025 · ★ 7.7
Two dimwit cops must survive the most terrifying night of their lives to win the things that matter most.
More info →