China: Men without Women
2016 · 25m · Documentary
A report on the demographic impact of China’s one-child policy.
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Amidst the grand walls of the Forbidden City, the film takes us on a deep journey through the ceremonial life of the Chinese emperor, unveiling the secrets and intrigues of concubines, eunuchs, and palace maids. As the West begins to influence China in the late 19th century, the dynamics within the city shift dramatically. The film highlights the preservation and restoration of invaluable treasures and paintings, culminating in the creation of the Palace Museum. With insights from renowned China scholar, Jonathan Spence, this is an intimate exploration of the rich cultural and historical tapestry that makes up the heart of ancient China.
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Redefining China's Family: Women
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10 May 2007 - China's staggering economic growth has overshadowed a more subtle shift in Chinese society. In domestic life, many women are now ignore the advice of their mothers and grandmothers, turning instead to counselling hotlines and, increasingly, divorce.
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I Am Here
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It's a story about post-90 generation in China and how they chasing their dreams through a talent show. The summer of 2013 saw a group of young boys enter a Chinese TV talent show called Super Boy, hoping to be catapulted to fame. The film documents how the young boys coped with their new challenging lives. While under unthinkable pressure, they proved themselves by trying to make the right choices during live shows. Talent shows create a new type of entertainer, but can they still keep their true selves? Can they adjust themselves and balance the ups and downs? What have the ten years of Chinese talent shows given us? What is urging us to grow up?
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Yulu
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The film uses a documentary approach to tell the stories of 12 Chinese pioneers, chosen from the fields of business and the arts. The protagonists reflect upon their life journeys against the backdrop of modern China.
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Arresting early film images of both northern India and central and south western China.
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This film offers us a juxtaposed journey of two priests: Father Van Ban, a Vietnamese priest from the parish of Thy Hu in the Hé region, who after nine years of training in Paris decides to return to Vietnam, and Bernard de Terves, a young deacon from the Foreign Missions of Paris who decides to leave for China after his ordination. Their intersecting paths allow us to address themes related to East-West intercultural dialogue, particularly that of transmitting the Gospel message.
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