43 Days That Shook the World
2023 Β· 81m Β· Documentary
More Like This
Lord of the Dance/Destroyer of Illusion
1985 Β· β 9
The documentary focuses on the annual Mani Rimdu festival of Tibet and Nepal, an event which encapsulates the Himalayan Buddhist experience.
More info β
Traces: The Kabul Museum 1988
2003 Β· β 9
The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.
More info β
Walk with Me
2017 Β· β 5.8
Narrated by Benedict Cumberbatch, Walk With Me is a cinematic journey into the world of a monastic community who practice the art of mindfulness with Zen Buddhist master Thich Nhat Hanh.
More info β
How to Cook Your Life
2007 Β· β 5.6
A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.
More info β
Athos
2016 Β· β 7.8
The Athos peninsula in Greece is one of Europe's last secrets. Over 2000 monks live on Athos - cut off from the outside world. Access is denied to women, tourists are not welcome. Only workers and pilgrims can obtain a visa. The "Autonomous Monastic State of the Holy Mountain" attracts people who feel like they are missing something from their modern lives. With the help of three Athos monks, "Athos - A Taste of Heaven" tells the story of the island and its inhabitants in a unique filmed diary style. The film's guiding theme is the path we as people have to find and follow - each and everyone for themselves. "First we must heal our own souls, only then we can help others", is one of Father Galaktions core messages. He lives as a hermit on the holy mountain. Not all monks, however, live as secluded and demure as Father Galaktion. The film team is also received by Father Epiphanios - a gifted and poetic cook who certainly does not disdain the pleasures of life.
More info β
Becoming Who I Was
2017 Β· β 9
Angdu is no ordinary boy. Indeed, in a past life he was a venerated Buddhist master. His village already treats him like a saint as a result. The village doctor, who has taken the boy under his wing, prepares him to be able to pass on his wisdom. Alas, Tibet, Angduβs former homeland and the centre of his faith, lies far away from his current home in the highlands of Northern India. On top of that, the conflict between China and Tibet makes the prospect of a trip there even more daunting. Undeterred by these harsh facts, the duo set off for their destination on foot, accompanied by questions of friendship and the nature of life. With its narrative approach steeped in a serene sense of concentration, this documentary film, composed over a period of eight years, stands as a fundamental experience in its own right.
More info β
But Beautiful
2019 Β· β 7.7
In his new film, Erwin Wagenhofer is looking for the good and beautiful in this world.
More info β
The Venerable W.
2017 Β· β 6.6
A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.
More info βArt as a Weapon
2014 Β· β 6
Street art, creativity and revolution collide in this beautifully shot film about artβs ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30β mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.
More info β