The Shoemaker and the Hatter
1950 · 16m · Animation
The cartoon is one of the Marshall Plan's most popular films. A clash between a shoemaker and a hat maker illustrates the contrasts between protectionism and free trade. Preserved by the Academy Film Archive in 2003.
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Study No. 6
1930 · ★ 6.6
The first Studies were synchronized with records (Fischinger made a total of 13 Studies all without sound). It was only with the introduction of sound, beginning with Study No 6 that the films did full justice to this musical principle. The play of the white lines, the arcs, and the upside-down U’s running hither and thither like ballet dancers was brought into perfect synchronization with the music, and thus the films offered an abstract illustration of the melodies. Study No 6 is certainly the best of his films in terms of forms. - Hans Scheugl and Ernst Schmidt, Jr. Preserved by the Academy Film Archive in 2001.
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A Grand Day Out
1990 · ★ 7.5
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.
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The Wrong Trousers
1993 · ★ 7.8
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno trousers created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.
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A Close Shave
1996 · ★ 7.6
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
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Shapes and Gestures
1977
Begins as a whimsical piece with 'sheets' of lines running down the screen, progressing into more and more complex geometic patterns but without deviating from the basic precepts of 'dot and line' animation. Jazz piano on a lazy Sunday afternoon, and a spring color palette. -- Stephanie Sapienza. Preserved by the Academy Film Archive in 2001.
More info →Dream of the Sphinx
1971
Gore's second solo film, DREAM OF THE SPHINX is highly representative of his fluid, expressive line work and characteristic traversals through space. Preserved by the Academy Film Archive in partnership with CalArts and iotaCenter in 2009.
More info →The Letter
1970
A collaborative piece by Gore and Beckett, the film begins with one of Gore's characters composing a letter, to eventual mail it. Beckett's animation takes over at this point, transforming the envelope into a looping, cascading form that seems to be perpetually turning itself inside out. A brief Gore finale bookends the piece, which is one of only two extant examples of Gore's unique animation work. This film is usually appended to Gore's own Dream of the Sphinx. [Source: Mark Toscano] Preserved by the Academy Film Archive in partnership with CalArts in 2009.
More info →The Unicycle Race
1966
An animated film drawn in india ink directly on 65 mm film. It was reduced optically to 35mm film with colour added. The story of the film concerns a rivalry between two simple stick figures characters for the championship in a unicycle race. Preserved by the Academy Film Archive in 2011.
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Things to Come
1953
A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
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The Cow Who Wanted To Be a Hamburger
2010 · ★ 5.4
A children's fable about the power of advertising, the meaning of life and ultimately the test of a mother's love. Preserved by the Academy Film Archive in 2016.
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Asparagus
1979 · ★ 6.6
A symbolic reflection on issues of female sexuality, art and identity constructs.
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Dear Janice
1972
Beckett cycles through a limited number of drawings, but adds new information to each drawing every time we see it, giving the sense of a world that is infinitely rich and also obviously contained tightly within the edges of the paper. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
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