Dream of the Sphinx
1971 · 4m · Animation
Gore's second solo film, DREAM OF THE SPHINX is highly representative of his fluid, expressive line work and characteristic traversals through space. Preserved by the Academy Film Archive in partnership with CalArts and iotaCenter in 2009.
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An American March
1941 · ★ 6
Stars and stripes forever and ever and ever. Preserved by the Academy Film Archive in 2000.
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Eye Myth
1967 · ★ 5.5
After the title, a white screen gives way to a series of frames suggestive of abstract art, usually with one or two colors dominating and rapid change in the images. Two figures emerge from this jungle of color: the first, a shirtless man, appears twice, coming into focus, then disappearing behind the bursts and patterns of color, then reappearing; the second figure appears later, in the right foreground. This figure suggests someone older, someone of substance. The myth? Preserved by the Academy Film Archive in 2012.
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1987
The story of a starving third-world infant, set to a song by Harry Chapin. Preserved by the Academy Film Archive in 2015.
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1993 · ★ 7.6
A village is ruled by the church, but is filled with hypocritical sinners who constantly spy on each other.
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1933
Experimental short film by Oskar Fischinger. Preserved by the Academy Film Archive in 2000.
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1975 · ★ 7.6
John Whitney's pioneering work of computer animation, Arabesque, from 1975. This flowing, abstract short film is a wonder to behold, a work of art. Like many other computer graphics pioneers, this film suggests roots in psychedelics and spiritual quests as much as engineering and mathematics. Preserved by the Academy Film Archive in 2007.
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A 1968 animation/documentary that criticises the industrial system.
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1950
The cartoon is one of the Marshall Plan's most popular films. A clash between a shoemaker and a hat maker illustrates the contrasts between protectionism and free trade. Preserved by the Academy Film Archive in 2003.
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1982
Diana Wilson’s mysteriously beautiful animated tableaux fluidly unfold before our eyes, a generous receptacle for the mournful, harrowing soundtrack, in which the filmmaker recounts a tragedy from her youth. Preserved by the Academy Film Archive in 2011.
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1959
"A destitute room, transmuted by the startling magic of stop-motion photography into a luxuriant explosion of color. A new work by D’Avino (THE BIG O)." – Cinema 16 program notes, May 1959. Preserved by the Academy Film Archive in 2007.
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A being made of sand wakes up in the desert. It finds a bottle near him, but it's empty. The noise of dropping water can be heard not far away.
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